Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
AcquarelloThe Notebook's First Annual Writers' Poll David CairnsThe Forgotten: Homunculus, mon amourThe Forgotten: I Stab SaneThe Forgotten: Fire and IceThe Notebook's First Annual Writers' Poll Fernando
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
This year’s TOKYO FILMEX featured a retrospective on Koreyoshi Kurahara, a director whose long-term international reputation may rest on his taiyozoku, or “sun tribe” films. He did these for Nikkatsu Studios
The presences of the exemplary Nouvelle Vague icons Bernadette Lafont and Bulle Ogier in the female lead roles notwithstanding, what cachet 1971's Les Stances a Sophie has accrued over the years is largely
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
The recent issue of UCLA’s Asia Pacific Arts Magazine has a timely new feature on: 'Social Change in Asian film'. As the authors themselves admitted, it was an editorial inspired by the latest presidential
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is resticted to films receiving at least a week's theatrical run in the U.S., a limitation