The Last Place You Look: "Bad Influence"
Zach CampbellHow a wild robbery scene unexpectedly and simultaneously expresses two approaches to cinematic genre.
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Movie Poster of the Week: Nicholas Ray’s “In a Lonely Place”
Adrian CurryThe various international posters for Bogart and Grahame’s doomed romance.
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So Dark
David CairnsA master detective falls in love and is then charged with locating his lover in this noir by Joseph H. Lewis showing in New York Saturday.
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The Forgotten: So Lonesome
David CairnsAn awe-inspiring and affecting performance by Maggie Smith is the center of this emotionally powerful drama from director Jack Clayton.
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The Noteworthy: Coppola's Comeback, McTiernan's Philosophy, Lynch's Hiatus
Adam CookSundance’s lineup, The New York Film Critics Circle Awards, The Museum of the Moving Image’s First Look series, new Shane Carruth, & more.
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Notebook Reviews: John Hyams' "Universal Soldier: Day of Reckoning"
Ignatiy VishnevetskyThe follow-up to Universal Soldier: Regeneration is a bleak, challenging genre hybrid.
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Tony Scott: A Moving Target—Movement B
gina telaroliOne “movement” in our exquisite corpse-style critical project on Tony Scott. Each movement features ten critics and ten scene analyses.
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"Crimson Tide"
Ryland Walker KnightMovement 1B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Crimson Tide (1995).
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"Enemy of the State"
Ben SimingtonMovement 2B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Enemy of the State (1998).
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"Domino"
Robert KoehlerMovement 3B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Domino (2005).
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"Déjà Vu"
Steven ShaviroMovement 4B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Déjà Vu (2006).
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"Man on Fire"
The Ferroni BrigadeMovement 6B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Man on Fire (2004).