I'm mad as hell, and I'll take it a little longer! One of the most basic, but most defining features of David Fincher's short filmography is the relegation of melodrama essentially to a one-note psychic
Each of the Notebook's writers were given the opportunity to submit their ten favorite films of 2008 given at least a week's theatrical run in the U.S. The entries have been tabulated we have our first
Silent Light is Carlos Reygadas' third and most overtly accomplished film; I also find it his least convincing. A healthy degree of skepticism is automatically called for whenever words like "elegiac
YOU This image represents you. You are Maldone, an itinerant canal worker – surprising how many classic French films take to the waterways: L’Atlante, of course, and also Gance’s La Roue. (Britain offers
One of the greatest mysteries of Jean-Luc Godard’s Made in USA (1966) is just what the mystery is. Ex-journalist Anna Karina slinks around in a trenchcoat asking about an old lover who’s disappeared, is
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
The French do love their Douglas Sirk, it would seem. Here in America, acquiring a Region 1 Sirk library involves a bit of cherry-picking—get that Universal Rock Hudson collection so as to own Has Anybody
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Before Kurahara and his scriptwriter Nobuo Yamada laid the taiyozoku genre to rest with Black Sun, they made two “road” movies. Their models are clearly Western films, rather than Japanese novels. They
The first four films from the Filmex’s Kurahara retrospective, all from the ‘50s, show that he was experimenting with different genres. Although this is partly because these movies are based on different
Also known as the ol' New Year's shuffle: David Hudson to dances over to IFC Daily, and Aaron Hillis skips merrily to GreenCine Daily. Update your bookmarks and RSS feeds accordingly, as suddenly two