Cannes 2013. The Past, Present Tense: Claude Lanzmann's "The Last of the Unjust"
Daniel KasmanFrom footage of the first interview originally shot for but unused in Shoah, Lanzmann fashions a new film set at once in 1975 & 2012.
From footage of the first interview originally shot for but unused in Shoah, Lanzmann fashions a new film set at once in 1975 & 2012.
Nicolas Winding Refn’s highly anticipated follow-up to Drive is a work of tritely over-thought stylization.
The American remake of the Mexican horror film (programmed in Quinzaine in 2010) unfolds a complex meditation upon family and foundation.
Adam Cook & Daniel Kasman discuss Steven Soderbergh’s “last” film, another work of alternately digital and classical pleasures.
Jean-Luc Godard filming his next feature, Adieu au langage.
Serge Bozon’s follow-up to La France six years later is a modestly scaled what’s-it, a deadpan burlesque pseudo-detective film.
Alexey Balabanov passes, details on Hayao Miyazaki’s latest film, Spielberg and Scorsese discuss “the lightness of touch”, and more…
Anthony Chen’s first feature is a heartfelt, lived-through vision of the 1997 Asian crisis in Singapore.
Adam Cook & Daniel Kasman discuss Johnnie To’s madcap new film, a crime-comedy-romance that (joyously) doesn’t know when to quit.
Rithy Panh’s autobiographical/historical recount stages memories and history under the Khmer Rouge in Cambodia with clay figurines.
The filmmaker talks about one of the highlights of the Festival de Cannes, Stranger by the Lake in Un Certain Regard.
Satyajit Ray’s pure cinema, the Coen Bros. half-hearted Llewyn Davis, and van Warmerdam’s oddball Borgman.