Romanian Orthodox: Cristian Mungiu's "Beyond the Hills"
Michael NordineCristian Mungiu’s film is a gorgeously austere and often exhilarating in its its slow-burning atmosphere of dread and sorrow.
Cristian Mungiu’s film is a gorgeously austere and often exhilarating in its its slow-burning atmosphere of dread and sorrow.
A terrific 1946 French affiche for a 1936 California Highway Patrol stunt-fest.
Joan Crawford fights to get her man amid a sleek and glossy art deco world concocted by Cedric Gibbons at MGM, in Our Dancing Daughters.
Lots of news, photos by Patrick Swirc, a trio of interviews featuring Abel Ferrara, Ernst Karel and Lewis Klahr & more.
A new column dedicated to short-form criticism. Each week, three writers offer capsules which engage with a classic or contemporary film.
This translation of a 1929 piece on Langdon is an exhilarating exercise in a deliriously subjective, free-form style of poetic film writing.
A contemporary-styled Polish disassemblage for Lester’s swashbuckling romp and an interview with its designer.
Two silent classic adaptations benefitting from the spectacular designs of Natacha Rambova: Camille and Salome.
A special MUBI screening of Something Necessary, films by Cairns and Sallitt, a new issue of The Seventh Art, Bordwell on Richie + more.
Jean Cocteau has a secret weapon: Jean Marais’ eyes.
And the winners are…
David O. Russell flirts with absurdism, flinging characters into a chaotic universe before using Hollywood convention to reel them back in.