A Digital Fugitive: Interview with Pedro Costa
Daniel KasmanAn interview with the filmmaker from Cannes upon the release of Ne change rien.
An interview with the filmmaker from Cannes upon the release of Ne change rien.
What is the 21st Century? is the column where Ignatiy Vishnevetsky tries to find an answer to the titular question. *** Above: Michael Bay on the set of Transformers: Revenge of the Fallen. "Who is
What is it with circles? Three of the best new movie posters of 2009—The Girlfriend Experience, The Limits of Control and now Moon—are awash with them. For Moon it makes perfect graphic sense. Directed
Never Count An Auteur Out: Don't let the mere 50% rating on Rotten Tomatoes bamboozle you—Francis Ford Coppola is back. His self-financed, self-distributed Tetro is a hit with the critics who count
From Samuel Fuller's Merrill's Marauders (1962).
Charles Vidor, no relation to the more celebrated King, made Gilda, ensured himself a place in the film history books with a slick and thematically fascinating noir which dazzles from the moment Glenn
Out of town; my work takes me out of town. I empty villages. I burn their houses down. I set up factories. Lay out plantations And bring prosperity to the poorer nations. —Art Bears, "The Song
What an interesting puzzle the directorial career of Michael Anderson makes. In 1955 he directs The Dam Busters, one of the most exacting…
The Details is a column that catches the small within the big, focusing on the individual elements that make cinema so expressive. *** One fascinating point made by Tom Gunning's masterful book The Films
The DVD Release Of The Week: Is, most of the time, whatever The New York Times' Dave Kehr says it is, and this week it's Zeitgeist's double feature of Phillipe Garrel's I Can No Longer Hear The Guitar
David Carradine, who died yesterday at the age of 72, worked with a remarkable number of name directors…
THE THREE FACES OF EVE I tre volti (Three Faces of a Woman, 1965) is, among other things, the Antonioni film you're least likely to have seen, the Bolognini film you're least likely to have seen (a