The Noteworthy: Panahi Strikes Again, Assayas on Assayas, VIFF & NYFF Underway
NotebookPanahi completes another “effort” under house-arrest, Lincoln debuts at NYFF, Dennis Lim looks at the work of Ben Rivers & more…
Panahi completes another “effort” under house-arrest, Lincoln debuts at NYFF, Dennis Lim looks at the work of Ben Rivers & more…
Images from an installation constituting Kubelka’s new film, Antiphon, Arnulf Rainer (1960), and the two combined.
Showing how even the simplest of spaces have the possibility to surprise.
A standout amongst the 2012 Toronto International Film Festival’s world premieres.
Animator Don Hertzfeldt traces a line through a darkly comic valley of existential dread.
A look back at the posters for departing festival director Richard Peña’s very first NYFF.
About Rey’s experimental 16mm feature, differently, Molussia, which adapts a book on totalitarianism the filmmaker has never read.
Anarchist cartoonist Charles Boyer shoots movie songstress Gaby Morlay, and she falls in love with him. Well, he is Charles Boyer.
From the New York Film Festival, David Gatten’s first work in digital video is a long form movie capturing painted images and broken texts.
This week’s essential film items include an incredible new issue of La Furia Umana, trailers for films by Van Sant and Park, and more.
An ingenious, claustrophobic dream film at the NYFF centers on a sound mixer helping produce a horrifically violent giallo.
A wicked publicity still for John Francis Dillon’s 1932 pre-Coder, Call Her Savage, starring Clara Bow and shot by the great Lee Garmes.