SFIFF52: 14 x 75
Michael GuillenAbove: Lake Tahoe. Now that the 52nd edition of the San Francisco International Film Festival is well on its way, let us consider the boon and bane of the 75-word hold review capsule. There are 40
Above: Lake Tahoe. Now that the 52nd edition of the San Francisco International Film Festival is well on its way, let us consider the boon and bane of the 75-word hold review capsule. There are 40
Above: Madhabi Mukherjee in The Coward. On the surface, Satyajit Ray's diptych, Kapurush-o-Mahapurush (The Coward and The Holy Man) seems an unlikely pairing: one, a stranded screenwriter's encounter
"Solipsism is great, everyone should try it." —"Philosophy student joke" cited by Grei Marcus in Mystery Train, 1975 There are so many contemporary cultural phenomena that this film is a precursor
Laird Cregar gloats and bloats in I Wake Up Screaming. Who would not?
There's a house in Fish Eyes, and a mirror which is later broken and reused, a somewhat junky motorcycle, a strangely new guitar, an underused washing bowl, and a small dining table with three chairs
Above: Sono Sion's Love Exposure. Two incidents in a friend’s life inspired Sono Sion to make Love Exposure, according to the Hong Kong International Film Festival catalogue. The first was in the
*** Three Monkeys is opening in New York City on May 1. Click here for playdates.
For a filmmaker of such particular aesthetic sensibilities, Nuri Bilge Ceylan has been compared to a surprising range of directors over the years. His first two films, The Small Town (1997) and Clouds
Francis Ford Coppola turned 70 this month, which would have been reason enough to resurrect this incredible poster for his little-known 1969 film The Rain People and to remember the good times before Jack
Above: Jason Statham in Crank: High Voltage. The two Crank films exist to prove that Jason Statham is more than just a face—or, really, more than a head, puckishly bald, capable of subtle movements
OPENER"Up," U.S., Pete Docter, Bob PetersonCLOSER"Coco Chanel & Igor Stravinsky," France, Jan Kounen IN COMPETITION"Bright Star," Australia-U.K.-France, Jane Campion"Spring Fever," China-France
I've only seen two Berthold Viertel films and already I'm obsessed. The Passing of the Third Floor Back mesmerized me, and now 1934's Little Friend has entranced me. A minor sensation in its day, the