Now he's gonna talk to a cow: Rogers in Doctor Bull, Ford, 1933. We see Will Rogers' inheritors everywhere. Chris Rock has got a bit of Rogers in him. So does Rush Limbaugh. Any comic or putatively
Are you ready for some football? I know, I know—the regular season was over as of Sunday. and its entirely probable that the readership of The Auteurs' Notebook isn't exactly teeming with gridiron nuts
Andrew and Harry both paint a familiar image of film distribution and exhibition, and it is an image that I can only echo: one characterized by aporia. It depicts on one hand an industry attempting to
I understand that the economic models will have to change to adapt to the mutation of consumption. And the popular titles will always fare higher, no matter what media/distribution, and will lose less
Michel Ciment hits New York to preside over the “Mavericks and Outsiders: ‘Positif’ Celebrates American Cinema” series.
If I can, I want address some of the issues regarding distribution that were raised in earlier posts, as well as the comments section.As we all know, the distribution landscape has changed tremendously
Delhi, being the capital of India, is the centre of art and culture. Where a person could attend a lecture on classical music in the morning, go for a book reading in the afternoon and watch a movie in
David CairnsThe Forgotten: Merkin Muffs ItThe Forgotten: A Blind ReadingThe Forgotten: The Apocalypse of St. AndrzejThe Forgotten: The English Assassin AssassinatedThe Forgotten: Lost at Sea Fernando
Above: Irene Dunne and Charles Boyer in John M. Stahl's When Tomorrow Comes. Anthology Film Archives is performing a public service by showing three John M. Stahl films with their Douglas Sirk remakes;
Above: La Vie de famille (1985), with Sami Frey and Mara Goyet. Image courtesy of Jacques Doillon. I've been waiting all my filmgoing life for a retrospective of the formidable French filmmaker Jacques
Nitesh — thanks so much for that detailed and informative rundown about distribution in India. I gather it would be difficult for a label such as Benten to make inroads in that market, and I wonder how
I've been nothing but green-eyed and negative in my comments on "London vs. Paris" so far, so let me shift towards some London pleasures instead and lighten-up a bit.One way of doing this is to talk about