Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is resticted to films receiving at least a week's theatrical run in the U.S., a limitation
"Right and wrong is the same everywhere, but the rights and the wrongs are different." I don’t know why Remember The Night isn’t a "beloved Christmas classic", trotted out on television every year
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is resticted to films receiving at least a week's theatrical run in the U.S., a limitation
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Without Peeping Tom and Psycho, where would we be today? With two great works of art—one, a notorious commercial failure that all but ended the career of its director, the other, a paradigm-changing
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films receiving at least a week's theatrical run in the U.S., a
<< Take IV
The final in a four part series of articles on director Nagisa Oshima.
ABSENTIAS "Switch your gorgeous minds to overdrive: this is really quite important." Some filmmakers, alas, are forgotten when they die, but some are forgotten even before. Michael Powell spent most
Theater of the Revolution again. Oshima’s Shiro of Amakusa takes up the perspective of a blank stare—mostly minute-long takes, from positions fixed as corpses, only for a quickly forgotten camera to reassert