The Boundaries of Psychiatry and Cinema: Romuald Karmakar’s "The Deathmaker"
Carson LundThoughts on The Deathmaker (1995), the most widely seen film by the heavily neglected German director Romuald Karmakar.
Thoughts on The Deathmaker (1995), the most widely seen film by the heavily neglected German director Romuald Karmakar.
The new poster for the 66th edition of the Cannes Film Festival has been unveiled.
The posters for the films in Anthology Film Archives’ canny tribute to the dean of American film critics.
In Clarence Brown’s The Goose Woman, a faded diva pretends to be a witness to a murder for the sake of publicity, but incriminates her son.
Mondo’s new Taxi Driver poster, Richard Brody & James Gray remember Ric Menello, Rosenbaum is Moving Places again & more.
In this week’s column dedicated to short-form criticism, three writers tackle a counter-culture classic.
Critic and filmmaker Luc Moullet on Cecil B. DeMille and The Road to Yesterday, one of the box office king’s most audacious undertakings.
Korine’s last film is an a-temporal, sensorial trance staring in awe at the horror vacui of a lost, immor(t)al dream.
A selection of striking posters by a little-known East German designer.
L’inhumaine is Marcel L’Herbier’s ultimate triumph of design over narrative, drama, logic, and life and death.
A couple of crowd-funding projects to check out, new trailers from Baumbach, Coppola, Malick and Whedon, Orson Welles’ Sketch Book & more.
The Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.