"Spring Breakers" or The American Way of Death
Celluloid Liberation FrontKorine’s last film is an a-temporal, sensorial trance staring in awe at the horror vacui of a lost, immor(t)al dream.
Korine’s last film is an a-temporal, sensorial trance staring in awe at the horror vacui of a lost, immor(t)al dream.
A selection of striking posters by a little-known East German designer.
L’inhumaine is Marcel L’Herbier’s ultimate triumph of design over narrative, drama, logic, and life and death.
A couple of crowd-funding projects to check out, new trailers from Baumbach, Coppola, Malick and Whedon, Orson Welles’ Sketch Book & more.
The Portuguese maestro talks digital, film and DCP, early influences and teachers, David Fincher and filmmaking now.
Cristian Mungiu’s film is a gorgeously austere and often exhilarating in its its slow-burning atmosphere of dread and sorrow.
A terrific 1946 French affiche for a 1936 California Highway Patrol stunt-fest.
Joan Crawford fights to get her man amid a sleek and glossy art deco world concocted by Cedric Gibbons at MGM, in Our Dancing Daughters.
Lots of news, photos by Patrick Swirc, a trio of interviews featuring Abel Ferrara, Ernst Karel and Lewis Klahr & more.
A new column dedicated to short-form criticism. Each week, three writers offer capsules which engage with a classic or contemporary film.
This translation of a 1929 piece on Langdon is an exhilarating exercise in a deliriously subjective, free-form style of poetic film writing.
A contemporary-styled Polish disassemblage for Lester’s swashbuckling romp and an interview with its designer.