MUBI brings you a great new film every day.  Start your 7-day free trial today!
Watch a new film every day for $4.99.
Try MUBI for FREE.
 
All Topics  »

2011: Year in Cinema in Images

ruby stevens

over 1 year ago

a brighter summer day

DT

over 1 year ago

Florenc​e Rolando

over 1 year ago

Not sure I recognise them all…second one? Last one?

Clint

over 1 year ago

Do nuns feature prominently in The Mill and the Cross?

Not at all, more’s the pity, nunsploitation is always good.

I did get to see this on the big screen with a Q and A with Lech Majewski afterwards so I am happy.

It’s not worth seeing on anything other than the big screen. There is so much fine detail, it shall be lost in any other format. But I’ve a feeling that it shall pop up at film societies and festivals for maybe a little while longer.

Do nuns feature prominently in The Mill and the Cross?

Not at all, more’s the pity, nunsploitation is always good.

I did get to see this on the big screen with a Q and A with Lech Majewski afterwards so I am happy.

It’s not worth seeing on anything other than the big screen. There is so much fine detail, it shall be lost in any other format. But I’ve a feeling that it shall pop up at film societies and festivals for maybe a little while longer.

Hanotenet (also known as The Slut)

DT

over 1 year ago

@Florence Rolando…whose post are you referring to, exactly?

Uli Cain, Cinefid​el¹³

over 1 year ago

“It’s not worth seeing on anything other than the big screen.”

That’s an asinine statement. I believe The Mill and the Cross truly is a film to see on the big screen, but see it anyway you can. I saw it on a computer screen, and was able to see the pure beauty of the image.

Yes, see it on the big screen if you can, but just see it, it’s more than worth the time.

adrianm​endizab​al

over 1 year ago

IMAGES FROM THE PHILIPPINES: 2011


Century of Birthing (Lav Diaz)


Buenas Noches, España (Raya Martin)


Palawan Fate (Auraeus Solito)


*Niño * (Loy Arcenas)


Sa Kanto ng Ulap at Lupa (Mes de Guzman)


The Moon is not Ours (Jon Lazam)


Six Degrees of Separation from Lilia Cuntapay (Antoinette Jadaone)


Dance of the Two Left Feet (Alvin Yapan)


Big Boy (Shireen Seno)


Brownout sa Neighborhood Namin That Day (Judd Figuerres)

See here for complete write up.

avalonl​yndon

over 1 year ago

Some great stills here.

Weekend (Andrew Haigh)

Julien Planté

over 1 year ago

http://www.moviedeskback.com/wp-content/uploads/2011/05/The-Tree-Of-Life-Wallpapers-HD-10.jpg

Axel

over 1 year ago


Shame.

Julien Planté

over 1 year ago

Cinesthesiac

over 1 year ago


All Watched Over by Machines of Loving Grace (Adam Curtis)

Florenc​e Rolando

over 1 year ago

DT…

tomas.r​oges

over 1 year ago

Submarino

apursan​sar

over 1 year ago

Those stills from the Filipino films look great, Adrian. Quite a few on there to add to my watch-list.

Joks

over 1 year ago

Lav Diaz is one of the most uncompromising directors out there. On that level it makes him very respectable, but his films are not easy to sit through.

Experim​entoFil​m

over 1 year ago


Mysteries of Lisbon Raúl Ruiz

DT

over 1 year ago

@Florence…second one is Contagion, last one is Sleeping Beauty (by Julia Leigh, not Catherine Breillat).

éva h.

over 1 year ago





Jane Eyre

Chrisja​min Bentoph​er

over 1 year ago

uh

Cedric

over 1 year ago


Crazy Horse (Frederick Wiseman)

BRAD - E

over 1 year ago

Photobucket

MIDNIGHT IN PARIS (Woody Allen)

Rissela​da

-moderator-
over 1 year ago

Wow, this thread is great for making me want to see some of these films.

It’s not worth seeing on anything other than the big screen. There is so much fine detail, it shall be lost in any other format. But I’ve a feeling that it shall pop up at film societies and festivals for maybe a little while longer.

That’s just about the most elitist statement I’ve seen around here. Only an infinitesimally small portion of the people at this site and cinephiles all over the have an opportunity to see The Mill and the Cross on the big screen. Saying that all those people should just skip seeing the film altogether is indeed asinine. Of course, it’s the kind of film that should be watched on the big screen if one is given that opportunity, but observant viewers can still get plenty out of it in other viewing formats too. I know I got plenty out of it.

Richard Vialet

over 1 year ago

The Housemaid

Cedric

over 1 year ago


The Day He Arrives (Hong Sang-soo)

keldon

over 1 year ago


Take Shelter