_You’re talking about various theories and technical ideas related to criticism (e.g., formalism, etc.)? I think preventing these ideas from influencing the viewing would be quite difficult, if not impossible.
Are there certain theories that you find yourself translating your ideas to?_
Sorry to be that guy Jazz, but I’m not sure I understand the semantic intent of this sentence fragment. :)
Yeah, it’s hard to separate out your structural knowledge of film from your interpretation, but when you’re watching it (Unless you’re a habitual critic) you’re still thinking of them in the way that they relate to your own viewing experience. You’re engaged in the moment of the film, you’re not thinking about what you’re going to write about it after.
Basically, I’m asking which theories do you find yourself using when you translate meant, what theories do you find yourself using, when you translate your inner thoughts. Does that make sense?
…you’re not thinking about what you’re going to write about it after.
Actually, I sometimes do this.