The way both films convey the subject matter, from the tone of the narrator to the visuals of the ancient Mediterranean (sculptures and region itself) relentlessly makes me get the same impression. Any ideas? I think this is worth digging.
I’ve never seen Méditerranée, but Contempt is a direct response (if not a remake of sorts) of Rossellini’s Viaggio en Italia.
gongoina
The way both films convey the subject matter, from the tone of the narrator to the visuals of the ancient Mediterranean (sculptures and region itself) relentlessly makes me get the same impression. Any ideas? I think this is worth digging.