It’s a good week for lush, exquisite cinematography and vividly stylized worlds; maybe not so good a week for compelling narratives. In IMMORTALS, director Tarsem Singh Dhandwar uses Greek mythology as the raw material upon which to invest his skill with staging beautiful, beautiful actors in elaborate tableaux, all in the service of the tale of a lowly peasant (Henry Cavil) who, with the blessings of the gods (including former Apollo Luke Evans), rallies the bedraggled forces of Greece against a sadistic warlord (Mickey Rourke, and are you surprised?). Come join Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons as they admire the scenery and debate whether anything exists past the pretty facade.
Then, Larry and Dan briefly discuss the strengths and weaknesses of Lars von Trier’s elegant science fiction drama, MELANCHOLIA, in which a despondent Kirsten Dunst must cope with her own sense of inertia and the threat of a rogue planet on a collision course with Earth. Plus: What’s coming in theaters.
Wait. Hold the phone. THE IMMORTALS is by Tarsem? If ever I’ve wondered what CLASH OF THE TITANS would be like if directed by Paradjanov (I have), I must, much to my surprise, actually check this out.
Daniel Persons
It’s a good week for lush, exquisite cinematography and vividly stylized worlds; maybe not so good a week for compelling narratives. In IMMORTALS, director Tarsem Singh Dhandwar uses Greek mythology as the raw material upon which to invest his skill with staging beautiful, beautiful actors in elaborate tableaux, all in the service of the tale of a lowly peasant (Henry Cavil) who, with the blessings of the gods (including former Apollo Luke Evans), rallies the bedraggled forces of Greece against a sadistic warlord (Mickey Rourke, and are you surprised?). Come join Cinefantastique Online’s Steve Biodrowski, Lawrence French, and Dan Persons as they admire the scenery and debate whether anything exists past the pretty facade.
Then, Larry and Dan briefly discuss the strengths and weaknesses of Lars von Trier’s elegant science fiction drama, MELANCHOLIA, in which a despondent Kirsten Dunst must cope with her own sense of inertia and the threat of a rogue planet on a collision course with Earth. Plus: What’s coming in theaters.
Click here to listen to our discussion of IMMORTALS and MELANCHOLIA