Last Call for Submissions on As I Was Browsing The Auteurs, Occasionally I Saw Brief Glimpses of Beauty

1. If you can provide links for some of the films here that can be watched online, that would be great especially if you want those films to be voted for/against. I’ll search for some links as well.

2. Last call for films to be nominated. If I have forgotten to include a film that has been nominated, please do mention it to me as well as if there is any spelling/information errors (all errors are purely innocent and unintentional).

3. The voting will start this Friday. And the final rules will be explained there as well. Oh, and by the way, if you rate a film 3 stars, I have decided that you can either give it either +1 or -1 points (for more results instead of just giving it 0 points which doesn’t affect the votes that much) because we do know that each of us have different rating systems and different reasons for rating films.

Fantomas (1913, Louis Feuillade, France)
The Cheat (1915, Cecil B. DeMille, USA)
Daydreams (1915, Yevgeni Bauer, Russia)
The Outlaw and His Wife (1918, Victor Sjostrom, Sweden)
One Week (1920, Buster Keaton, USA)
Haxan (1922, Benjamin Christensen, Denmark)
Phantom (1922, F.W. Murnau, Germany)
Michael (1924, Carl Theodor Dreyer, Denmark)
Faces of Children (1925, Jacques Feyder, France)
A Page of Madness (1926, Teinosuke Kinugasa, Japan)
Charleston Parade (1927, Jean Renoir, France)
The Girl with the Hatbox (1927, Boris Barnet, Soviet Union)
The Fall of the House of Usher (1928, Jean Epstein, France)
Lonesome (1928, Pal Fejos, USA)
Maldone (1928, Jean Gremillon, France)
The Tale of the Fox (1930, Irene Starewicz & Wladyslaw Starewicz, France)
Nightly Dreams (1933, Mikio Naruse, Japan)
The Water Magician (1933, Kenji Mizoguchi, Japan)
El Compadre Mendoza (1934, Fernando de Fuentes & Juan Bustillo Oro, Mexico)
The Goddess (1934, Yonggang Wu, China)
Our Neighbor Miss Yae (1934, Yasujiro Shimazu, Japan)
Queen of Sports (1934, Sun Yu, China)
A Story of Floating Weeds (1934, Yasujiro Ozu, Japan)
The Thin Man (1934, W.S. Van Dyke, USA)
An Inn in Tokyo (1935, Yasujiro Ozu, Japan)
Sabotage (1936, Alfred Hitchcock, UK)
Children in the Wind (1937, Hiroshi Shimizu, Japan)
Funny Drama or The Strange Adventures of Doctor Molyneaux (1937, Marcel Carne, France)
Humanity and Paper Balloons (1937, Sadao Yamanaka, Japan)
Street Angel (1937, Yuan Muzhi, China)
The Masseurs and a Woman (1938, Hiroshi Shimizu, Japan)
The Four Feathers (1939, Zoltan Korda, UK)
The Mortal Storm (1940, Frank Borzage, USA)
Brothers and Sisters of the Toda Family (1941, Yasujiro Ozu, Japan)
Mashenka (1942, Yuli Raizman, USSR)
Radio Dynamics (1942, Oskar Fischinger, USA)
The Raven (1943, Henri-Georges Clouzot, France)
Romanze in Moll (1943, Helmut Kautner, Germany)
Maria Candelaria (1944, Emilio Fernandez, Mexico)
The Clock (1945, Vincente Minnelli, USA)
Objective, Burma! (1945, Raoul Walsh, USA)
Film No. 3: Interwoven (1946, Harry Everett Smith, USA)
The Great Piggy Bank Robbery (1946, Robert Clampett, USA)
The Killers (1946, Robert Siodmak, US)
Ritual in Transfigured Time (1946, Maya Deren, USA)
Begone Dull Care (1949, Evelyn Lambart & Norman McLaren, Canada)
Bitter Rice (1949, Giuseppe de Santis, Italy)
Born to be Bad (1950, Nicholas Ray, USA)
Gone to Earth (1950, Michael Powell & Emeric Pressburger, UK)
Napoli Milionaria (1950, Eduardo De Filippo, Italy)
Anna (1951, Alberto Lattuada, Italy)
Awaara (1951, Raj Kapoor, India)
The Browning Version (1951, Anthony Asquith, UK)
Repast (1951, Mikio Naruse, Japan)
The Steel Helmet (1951, Samuel Fuller, USA)
The Thing from Another World (1951, Christian Nyby & Howard Hawks, USA)
Ascent to Heaven (1952, Luis Bunuel, Mexico)
The Narrow Margin (1952, Richard Fleischer, USA)
What Price Glory (1952, John Ford, USA)
Therese Raquin (1953, Marcel Carne, France)
La Pointe Courte (1954, Agnes Varda, France)
Salt of the Earth (1954, Herbert J. Biberman, USA)
Silver Lode (1954, Allan Dwan, USA)
Sound of the Mountain (1954, Mikio Naruse, Japan)
Touchez Pas au Grisbi (1954, Jacques Becker, France)
Track of the Cat (1954, William Wellman, USA)
Twenty-Four Eyes (1954, Keisuke Kinoshita, Japan)
Vera Cruz (1954, Robert Aldrich, USA)
Bad Day at Black Rock (1955, John Sturges, USA)
Death of a Cyclist (1955, Juan Antonio Bardem, Spain)
The Ladykillers (1955, Alexander Mackendrick, UK)
Yangsan Province (1955, Kim Ki-young, South Korea)
The Burmese Harp (1956, Kon Ichikawa, Japan)
Crazed Fruit (1956, Ko Nakahira, Japan)
Death in the Garden (1956, Luis Bunuel, Mexico)
Flowing (1956, Mikio Naruse, Japan)
The Forty-first (1956, Grigori Chukhrai, Soviet Union)
Merry-Go-Round (1956, Zoltan Fabri, Hungary)
O Drakos (1956, Nikos Koundouros, Greece)
Street of Shame (1956, Kenji Mizoguchi, Japan)
Il Grido (1957, Michelangelo Antonioni, Italy)
A Matter of Dignity (1957, Mihalis Kakogiannis, Greece)
Mother India (1957, Mehboob Khan, India)
Pyaasa (1957, Guru Dutt, India)
The Tall T (1957, Budd Boetticher, USA)
Tokyo Twilight (1957, Yasujiro Ozu)
The Wrestler and the Clown (1957, Boris Barnet & Konstantin Yudin, Soviet Union)
Ballad of Narayama (1958, Keisuke Kinoshita, Japan)
Free Radicals (1958, Len Lye, UK)
It Happened at Broad Daylight (1958, Ladislao Vajda, West Germany)
Lydia Ate the Apple (1958, Wojciech Has, Poland)
Rosaura at 10 o’ Clock (1958, Argentina)
Araya (1959, Margot Benacerraf, Venezuela)
Ballad of a Soldier (1959, Grigori Chukhrai, USSR)
Fires on the Plain (1959, Kon Ichikawa, Japan)
The Great War (1959, Mario Monicelli, Italy)
The Human Condition (1959, Masaki Kobayashi, Japan)
The Letter That Was Never Sent (1959, Mikhail Kalatozov, Soviet Union)
Night Train (1959, Jerzy Kawalerowicz, Poland)
Patio (1959, Glauber Rocha, Brazil)
Ride Lonesome (1959, Budd Boetticher, USA)
Une Simple Histoire (1959, Marcel Hanoun, France)
Devi (1960, Satyajit Ray, India)
Frames of Reference (1960, Richard Leacock, USA)
The Housemaid (1960, Kim Ki-young, South Korea)
Knights of the Teutonic Order (1960, Aleksander Ford)
Macario (1960, Roberto Gavaldon, Mexico)
The Young One (1960, Luis Bunuel, Mexico)
Aimless Bullet (1961, Yu Hyun-mok, South Korea)
Divorce Italian Style (1961, Pietro Germi, Italy)
Mother Joan of the Angels (1961, Jerzy Kawalerowicz, Poland)
The Paris Blues (1961, Martin Ritt, USA)
O assalto ao trem pagador (1962, Roberto Farias, Brazil)
Cosmic Ray (1962, Bruce Conner, USA)
Knife In The Water (1962, Roman Polanski, Poland)
Long Day’s Journey Into Night (1962, Sidney Lumet, USA)
Mondo Cane (1962, Paolo Cavara & Gualtiero Jacopetti, Italy)
Pitfall (1962, Hiroshi Teshigahara, Japan)
Salvatore Giuliani (1962, Francesco Rosi, Italy)
The Sun in a Net (1962, Stefan Uher, Czechoslovakia)
Sundays and Cybele (1962, Serge Bourguignon, France)
Therese Desqueyroux (1962, Georges Franju, France)
Unscruplous Ones (1962, Ruy Guerra, Brazil)
An Actor’s Revenge (1963, Kon Ichikawa, Japan)
The Bad Sleep Well (1963, Akira Kurosawa, Japan)
The Big City (1963, Satyajit Ray, India)
I Fidanzati (1963, Ermanno Olmi, Italy)
The House is Black (1963, Forugh Farrokhzad, Iran)
L’immortelle (1963, Alain Robbe-Grillet, Turkey)
Le Joli Mai (1963, Chris Marker, France)
Judex (1963, Georges Franju, France)
Of Whales, the Moon and Men (1963, Michel Brault, Canada)
The Paper Man (1963, Ismael Rodriguez, Mexico)
The Raven’s End (1963, Bo Widerberg, Sweden)
La Ricotta (1963, Pier Paolo Pasolini)
This Sporting Life (1963, Lindsay Anderson, UK)
Black Sunday (1964, Mario Bava, Italy)
Courage for Every Day (1964, Evald Schorm, Czechoslovakia)
Diamonds of the Night (1964, Jan Nemec, Czechoslovakia)
El Extrano Viaje (1964, Fernando Fernan Gomez, Spain)
A Fistful of Dollars (1964, Sergio Leone, Italy)
Forest of the Hanged (1964, Liviu Ciulei, Romania)
Intentions of Murder (1964, Shohei Imamura, Japan)
Yearning (1964, Mikio Naruse, Japan)
Zorba the Greek (1964, Michael Cacoyannis, Greece)
Brick and Mirror (1965, Ebrahim Golestan, Iran)
Film (1965, Alan Schneider, USA)
Fists in the Pocket (1965, Marco Bellocchio, Italy)
A Fugitive from the Past (1965, Tomu Uchida, Japan)
The Koumiko Mystery (1965, Chris Marker, France)
Sao Paulo S/A (1965, Luis Sergio Person, Brazil)
Secrets Behind the Wall (1965, Koji Wakamatsu, Japan)
The Shop on Main Street (Jan Kadar, Czechoslovokia, 1965)
Subarnarekha (1965, Ritwik Ghatak, India)
Two Stage Sisters (1965, Jin Xie, China)
Black Girl (1966, Ousmane Sembene, Senegal)
Borom Sarret (1966, Ousmane Sembene, Senegal)
Chelsea Girls (1966, Paul Morrissey & Andy Warhol, USA)
Coach to Vienna (1966, Karel Kachyna, Czechoslovakia)
Death of a Bureaucrat (1966, Tomas Gutierrez Alea, Cuba)
The Face of Another (1966, Hiroshi Teshigahara, Japan)
Father (1966, Istvan Szabo, Hungary)
Hold Me While I’m Naked (1966, George Kuchar, USA)
The Hunt (1966, Carlos Saura, Spain)
Misunderstood (1966, Luigi Comencini, Italy)
Pharaoh (1966, Jerzy Kawalerowicz, Poland)
Red Angel (1966, Yasuzo Masumura, Japan)
Seconds (1966, John Frankenheimer, USA)
Who Are You, Polly Magoo? (1966, William Klien, USA)
Wings (1966, Larisa Shepitko, Soviet Union)
The Wrong Box (1966, Bryan Forbes, UK)
The Commissar (1967, Alexsandr Askoldov, Russia)
July Rain (1967, Marlen Khutsiyev, Soviet Union)
Love Affair, or the Case of the Missing Switchboard Operator (1967, Dusan Makavejev, Yugoslavia)
The One-Armed Swordsman (1967, Chang Cheh, Hong Kong)
Silence and Cry (1967, Miklos Jancso, Hungary)
The Stranger (1967, Luchino Visconti, Italy)
Terra em Transe (1967, Glauber Rocha, Brazil)
Che cosa sono le nuvole? (1968, Pier Paolo Pasolini, Italy)
The Hour of the Furnaces (1968, Octavio Getino & Fernando E. Solanas, Argentina)
Innocence Unprotected (1968, Dusan Makavejev, Yugoslavia)
Je T’aime, Je T’aime (1968, Alain Resnais, France)
Martin Fierro (1968, Leopoldo Torre-Nilsson, Argentina)
Pas de deux (1968, Norman McLaren, Canada)
Reconstruction (1968, Lucian Pintilie, Romania)
Twisted Nerve (1968, Roy Boulting, UK)
Valley of the Bees (1968, Frantisek Vlacil, Czechoslovakia))
Boy (1969, Nagisa Oshima, Japan)
The Cow (1969, Dariush Mehrjui, Iran)
The Cremator (1969, Juraj Herz, Czechoslovakia)
Early Works (1969, Zelimir Zilnik, Yugoslavia)
Eros Plus Massacre (1969, Yoshishige Yoshida, Japan)
Funeral Parade of Roses (1969, Toshio Matsumoto, Japan)
A Gentle Woman (1969, Robert Bresson, France)
Ice (1969, Robert Kramer, USA)
Invasion (1969, Hugo Santiago, Argentina)
Jackal Of Nahueltoro (1969, Miguel Littin, Chile)
The Night of Counting the Years (1969, Chadi Abdel Salam, Egypt)
Putney Swope (1969, Robert Downey Sr., USA)
The Rain People (1969, Francis Ford Coppola, USA)
The Structure of Crystal (1969, Krzysztof Zanussi, Poland)
Adelheid (1970, Frantisek Vlacil, Czechoslovakia)
The American Soldier (1970, Rainer Werner Fassbinder, Germany)
Dodes’ka-Den (1970, Akira Kurosawa)
Eden and After (1970, Alain Robbe-Grillet, France)
Fruit of Paradise (1970, Vera Chytilova, Czechoslovakia)
Multiple Maniacs (1970, John Waters, US)
Once Upon a Time There Was a Singing Blackbird (1970, Otar Iosseliani, Soviet Union)
Purgatoire Eroica (1970, Yoshishige Yoshida, Japan)
Reconstruction (1970, Theo Angelopoulos, Greece)
Valerie and Her Week of Wonders (1970, Jaromil Jires, Czechoslovakia)
Zabriskie Point (1970, Michelangelo Antonioni, USA)
Mon Oncle Antoine (1971, Claude Jutra, Canada)
Deep End (1971, Jerzy Skolimowski, West Germany)
Evdokia (1971, Alexis Damianos, Greece)
Fata Morgana (1971, Werner Herzog, West Germany)
Four Nights of a Dreamer (1971, Robert Bresson, France)
How Tasty Was My Little Frenchman (1971, Nelson Pereira dos Santos, Brazil)
Living (1971, Frans Zwartjes, Netherlands)
Love, (1971, Karoly Makk, Hungary)
The Merchant of Four Seasons (1971, Rainer Werner Fassbinder, West Germany)
Minnie and Moskowitz (1971, John Cassavetes, USA)
Out 1 (1971, Jacques Rivette, France)
The Past and the Present (1971, Manoel de Oliveria, Portugal)
Punishment Park (1971, Peter Watkins, USA)
La Salamandre (1971, Alain Tanner, Switzerland)
The Telephone Book (1971, Nelson Lyon, USA)
Ten Days Wonder (1971, Claude Chabrol, France)
The Third Part of the Night (1971, Andrzej Zulawski, Poland)
Trafic (1971, Jacques Tati, France)
Vampyros Lesbos (1971, Jesus Franco, West Germany)
WR: Mysteries of the Organism (1971, Dusan Makavejev, Yugoslavia)
The Adversary (1972, Satyajit Ray, India)
The Goat Horn (1972, Metodi Andonov, Bulgaria)
The Harder They Come, (1972, Perry Henzell, Jamaica)
The Heartbreak Kid (1972, Elaine May, USA)
Images (1972, Robert Altman, USA)
Red Psalm (1972, Miklos Jancso, Hungary)
Somewhere, Someone (1972, Yannick Bellon, France)
State of Siege (1972, Costa-Gavras, France)
A Touch of Zen (1972, King Hu, Taiwan)
We Won’t Grow Old Together (1972, Maurice Pialat, France)
The Age of the Medici (1973, Roberto Rossellini, Italy)
Anna and the Wolves (1973, Carlos Saura, Spain)
Castle of Purity (1973, Arturo Ripstein, Mexico)
Distant Thunder (1973, Satyajit Ray, India)
Fantastic Planet (1973, Rene Laloux, France)
La Grande Bouffe (1973, Marco Ferreri, Italy)
The Holy Mountain (1973, Alejandro Jodorwosky, Mexico)
The Hour-Glass Sanatorium (1973, Wojciech Has, Poland)
John the Violent (1973, Tonia Marketaki, Greece)
The Mother and the Whore (1973, Jean Eustache, France)
Occasional Work of a Female Slave (1973, Alexander Kluge, West Germany)
One Hamlet Less (1973, Carmelo Bene, Italy)
L’Ordre (1973, Jean-Daniel Pollet, France)
Payday (1973, Daryl Duke, USA)
The Society of the Spectacle (1973, Guy Debord, France)
Turks Fruit (1973, Paul Verhoeven, Netherlands)
The Wicker Man (1973, Robin Hardy, UK)
Alice in the Cities (1974, Wim Wenders, Germany)
Cesar et Rosalie (1974, Claude Sautet, France)
Edvard Munch (1974, Peter Watkins, Sweden)
The Great Ecstasy of Woodcarver Steiner (1974, Werner Herzog, West Germany)
Les Hautes Solitudes (1974, Philippe Garrel, France)
The Man Who Sleeps (1974, Bernard Queysanne, France)
The Others (1974, Hugo Santiago, France)
Painted Lips (1974, Leopoldo Torre Nilsson, Argentina)
Pastoral: To Die in the Country (1974, Shuji Terayama, Japan)
Still Life (1974, Sohrab Shahid Saless, Iran)
You are Weighed But Are Found But Wanting (1974, Lino Brocka, Philippines)
Zardoz (1974, John Boorman, UK)
Adoption (1975, Marta Meszaros, Hungary)
The Beast (1975, Walerian Borowczyk, France)
Benilde, or the Virgin Mother (1975, Manoel de Oliveira, Portugal)
The Guernica Tree (1975, Fernando Arrabal, France)
Harvest: 3000 Years (1975, Haile Gerima, Ethiopia)
India Song (1975, Marguerite Duras, France)
The Most Important Thing Is to Love (1975, Andrzej Zulawski, France)
Pastorale (1975, Otar Iosseliani, Georgia)
The Seasons (1975, Artavazd Peleshian, Soviet Union)
Shivers (1975, David Cronenberg, Canada)
Anatomie d’un Rapport (1976, Luc Moullet, France)
The Big Racket (1976, Enzo G. Castellari, Italy)
Chinese Roulette (1976, Rainer Werner Fassbinder, West Germany)
Cria Cuervos (1976, Carlos Saura, Spain)
The Desert of the Tartars (1976, Valerio Zurlini, Italy)
The Disenchantment (1976, Jaime Chavarri, Spain)
I, Pierre Riviere (1976, Rene Allio, France)
I Only Want You to Love Me (1976, Rainer Werner Fassbinder, West Germany)
Insiang (1976, Lino Brocka, Philippines)
Mikey and Nicky (1976, Elaine May, USA)
Who can Kill a Child? (1976, Narciso Ibanez Serrador, Spain)
The Wishing Tree (1976, Tengiz Abuladze, Soviet Union)
The Adventures of the Exquisite Corpse Part IV: Charmed Particles (1977, Andrew Noren, USA)
Allegro non troppo (1977, Bruno Bozzetto, Italy)
The American Friend (1977, Wim Wenders, Germany)
The Ascent (1977, Larisa Shepitko, Soviet Union)
Ballad of Orin (1977, Masahiro Shinoda, Japan)
Elisa, My Life (1977, Carlos Saura, Spain)
Hausu (1977, Nobuhiko Obayashi, Japan)
Invisible Adversaries (1977, Valie Export, Austria)
Last Chants for a Slow Dance (1977, Jon Jost, USA)
The Last Wave (1977, Peter Weir, Australia)
Padre Padrone (1977, Paolo and Vittorio Taviani, Italy)
The Perfumed Nightmare (1977, Kidlat Tahimik, Philippines)
The Ritual (1977, Girish Kasaravalli, India)
Autumn Sonata (1978, Ingmar Bergman, Sweden)
The Chant of Jimmie Blacksmith (1978, Fred Shepisi, Australia)
Donkey in the Elite Colony (1978, John Abraham, India)
Doomed Love (1978, Manoel de Oliveira, Portugal)
The Adventures of Picasso (1978, Tage Danielsson, Sweden)
The Place Without Limits (1978, Arturo Ripstein, Mexico)
Les Rendez-vous d’Anna (1978, Chantal Akerman, France)
The Scenic Route (1978, Mark Rappaport, USA)
The 36th Chamber of Shoaling (1978, Liu Chia-Liang, China)
And Quiet Rolls the Dawn (1979, Mrinal Sen, India)
Camera Buff (1979, Krzysztof Kieslowski, Poland)
Christ Stopped at Eboli (1979, Francesco Rosi, Italy)
From the Clouds to the Resistance (1979, Jean-Marie Straub & Daniele Huillet, Italy)
The Herd (1979, Zeki Okten, Turkey)
Portrait of Teresa (1979, Pastor Vega, Cuba)
Raining in the Mountain (1979, King Hu, Taiwan)
Tale Of Tales (1979, Yuriy Norshteyn, Russian)
The Unknown Soldier’s Patent Leather Shoes (1979, Rangel Vulchanov, Bulgaria)
Vengeance Is Mine (1979, Shohei Imamura, Japan)
The Age of the Earth (1980, Glauber Rocha, Brazil)
Alexander the Great (1980, Theo Angelopoulos, Greece)
Babylon (1980, Franco Rosso, UK)
The Big Red One (1980, Samuel Fuller, USA)
Death Watch (1980, Bertrand Tavernier, France)
Golem (1980, Piotr Szulkin, Poland)
In Search of Famine (1980, Mrinal Sen, India)
Making ‘The Shining’ (1980, Vivian Kubrick, US)
Pepi, Luci, Bom and Other Girls on the Heap (1980, Pedro Almodovar, Spain)
Petria’s Wreath (1980, Srdjan Karanovic, Yugoslavia)
The Aviator’s Wife (1981, Eric Rohmer, France)
Christiane F. (1981, Uli Edel, Germany)
City after Dark (1981, Ishmael Bernal, Philippines)
Do You Remember Me Dolly Bell? (1981, Emir Kusturica, Yugoslavia)
Evil Dead (1981, Sam Raimi, USA)
Francisca (1981, Manoel de Oliveira, Portugal)
The House by The Cemetery (1981, Lucio Fulci, Italy)
Light Year Away (1981, Alain Tanner, Switzerland)
Lola (1981, Rainer Werner Fassbinder, West Germany)
Marianne and Juliane (1981, Margarethe von Trotta, West Germany)
Merry-Go-Round (1981, Jacques Rivette, France)
Montenegro (1981, Dusan Makavejev, Yugoslavia)
Nighthawks (1981, Bruce Malmuth, USA)
Le Pont du Nord (1981, Jacques Rivette, France)
L’Ange (1982, Patrick Bokanowski, France)
Batch ‘81 (1982, Mike de Leon, Philippines)
The Case is Closed (1982, Mrinal Sen, India)
Dimensions of Dialogue (1982, Jan Svankmajer, Czechoslovakia)
Himala (1982, Ishmael Bernal, Philippines)
Identification of a Woman (1982, Michelangelo Antonioni, Italy)
Interrogation (1982, Ryszard Bugajski, Poland)
Parsifal (1982, Hans-Jurgen Syberberg)
Querelle (1982, Rainer Werner Fassbinder, West Germany)
The Return of Martin Guerre (1982, Daniel Vigne, France)
Simple Minded Murderer (1982, Hans Alfredson, Sweden)
On Top of the Whale (1982, Raoul Ruiz, Netherlands)
A Question of Silence (1982, Marleen Gorris, Netherlands)
White Dog (1982, Samuel Fuller, USA)
Yol (1982, Serif Goren & Yilmaz Guney, Turkey)
Born in Flames (1983, Lizzie Borden, US)
City of Pirates (1983, Raul Ruiz, France)
The Eighties (1983, Chantal Akerman, Belgium)
Farewell (1983, Elem Klimov, Soviet Union)
The Fourth Man (1983, Paul Verhoeven, Netherlands)
The Makioka Sisters (1983, Kon Ichikawa, Japan)
A Nos Amours (1983, Maurice Pialat, France)
Zu: Warriors from the Magic Mountain (1983, Tsui Hark, Hong Kong)
The Holy Innocents (1984, Mario Camus, Spain)
Meantime (1984, Mike Leigh, UK)
A Summer at Grandpa’s (1984, Hou Hsiao-Hsien, Taiwan)
The Elusive Summer of ‘68 (1984, Goran Paskaljevic, Yugoslavia)
Voyage to Cythera (1984, Theodoros Angelopoulos, Greece)
What Have I Done to Deserve This? (1984, Pedro Almodovar, Spain)
When the Tenth Month Comes (1984, Nhat Minh Dang, Vietnam)
Colonel Redl (1985, Istvan Szabo, Hungary)
Oriana (1985, Fina Torres, Venezuela)
The Pied Piper of Hamelin (1985, Jiri Barta, Czechoslovakia)
The Quiet Earth (1985, Geoff Murphy, Australia)
A Successful Man (1985, Humberto Solas, Cuba)
Tokyo-Ga (1985, Wim Wenders, West Germany)
Topos (1985, Antouanetta Angelidi, Greece)
Vampires in Havana (1985, Juan Padron, Cuba)
A Zed & Two Noughts (1985, Peter Greenaway, UK)
Comrades (1986, Bill Douglas, UK)
The Decline of the American Empire (1986, Denys Arcand, Canada)
Dust in the Wind (1986, Hou Hsiao-Hsien, Taiwan)
The Horse Thief (1986, Tian Zhuangzhuang, China)
Landscape Suicide (1986, James Benning, USA)
Letters from a Dead Man (1986, Konstantin Lopushansky, Soviet Union)
Love Me Forever or Never (1986, Arnaldo Jabor, Brazil)
La Mansion de Araucaima (1986, Carlos Mayolo, Colombia)
Melo (1986, Alain Resnais, France )
A Promise (1986, Yoshishige Yoshida, Japan)
Summer Night, with Greek Profile, Almond Eyes and Scent of Basil (1986, Lina Wertmuller, Italy)
The Terrorizers (1986, Edward Yang, Taiwan)
Anita, Dances of Vice (1987, Rosa von Praunheim, Germany)
Au revoir les enfants (1987, Louis Malle, France)
Babette’s Feast (1987, Gabriel Axel, Denmark)
Bad Taste (1987, Peter Jackson, New Zealand)
Boyfriends and Girlfriends (1987, Eric Rohmer, France)
A Chinese Ghost Story (1987, Siu-Tung Ching, Hong Kong)
Daughter of the Nile (1987, Hou Hsiao-hsien, Taiwan)
From the Pole to the Equator (1987, Yervant Gianikian & Angela Ricci Lucchi, West Germany)
Housekeeping (1987, Bill Forsyth, USA)
Alice (1988, Jan Svankmajer, Czechoslovakia)
Ariel (1988, Aki Kaurismaki, Finland)
The Bizarre Country (1988, Dragan Marinkovic, Yugoslavia)
The Gang of Four (1988, Jacques Rivette, France)
The Lion’s Den (1988, Francisco Lombardi, Peru)
Mapantsula (1988, Oliver Schmitz, South Africa)
The Silver Globe (1988, Andrzej Zulawski, Poland)
Sur (1988, Fernando Solanas, Argentina)
Testament (1988, John Akomfrah, UK)
36 fillette (1988, Catherine Breillat, France)
The Vanishing (1988, George Sluizer, Netherlands)
Veronico Cruz (1988, Miguel Pereira, Argentina)
The Asthenic Syndrome (1989, Kira Muratova, Russia)
Black Rain (1989, Shohei Imamura, Japan)
The Clandestine Nation (1989, Jorge Sanjines, Bolivia)
Freeze, Die, Come to Life! (1989, Vitaly Kanievsky, Soviet Union)
Love Without Pity (1989, Eric Rochant, France)
Marriage of the Blessed (1989, Mohsen Makhmalbaf, Iran)
My 20th Century (1989, Ildiko Enyedi, Hungary)
O Sangue (1989, Pedro Costa, Portugal)
Why Has Bodhi-Dharma Left for the East? (1989, Bae Yong-Kyun, South Korea)
Black Snow (1990, Xie Fei, China)
Confessing to Laura (1990, Jaime Osorio Gomez, Colombia)
Fallen from Heaven (1990, Francisco Lombardi, Peru)
Halfouine (1990, Ferid Boughedir, Tunisia)
The Nasty Girl (1990, Michael Verhoeven, West Germany)
Nouvelle Vague (1990, Jean Luc-Godard, France)
Open Doors (1990, Gianni Amelio, Italy)
Rodrigo D: No Future (1990, Victor Gaviria, Colombia)
Beauty and the Beast (1991, Gary Trousdale/Kirk Wise, USA)
Cabeza de Vaca (1991, Nicolas Echevarria)
Prospero’s Books (1991, Peter Greenaway, UK)
The Road to the Racetrack (1991, Jang Sun-woo, South Korea)
Thank You and Good Night (1991, Jan Oxenberg, USA)
Trust (1991, Hal Hartley, USA)
Actress (1992, Stanley Kwan, Hong Kong)
Aileen Wuornos: The Selling of a Serial Killer (1992, Nick Broomfield, UK)
Autumn Moon (1992, Clara Law, Hong Kong)
Braindead (1992, Peter Jackson, New Zealand)
Brother’s Keeper (1992, Joe Berlinger & Bruce Sinofsky)
Death of a Neapolitan Mathematician (1992, Mario Martone, Italy)
Father, Santa Claus is Dead (1992, Yevgeny Yufit, Russia)
Hyenas (1992, Djibril Diop Mambety, Senegal)
The Journey (1992, Fernando Solanas, Argentina)
Un lugar en el mundo (1992, Adolfo Aristarain, Argentina)
Man Bites Dog (1992, Remi Belvaux, Belgium)
Manila Paloma Blanca (1992, Daniele Segre, Italy)
The Northerners (1992, Alex Van Warmendam, Holland)
Quince Tree of the Sun (1992, Victor Erice, Spain)
Rock Hudson’s Home Movies (1992, Mark Rappaport, USA)
The Oak (1992, Lucian Pintilie, Romania)
Bad Boy Bubby (1993, Rolf de Heer, Australia)
The Blue Kite (1993, Tian Zhuangzhuang, China)
Calendar (1993, Atom Egoyan, Canada)
D’est (1993, Chantal Akerman, Belgium)
My Favorite Season (1993, Andre Techine, France)
Palms (1993, Artour Aristakisian, Moldova)
Raining Stones (1993, Ken Loach, UK)
The Red Squirrel (1993, Julio Medem, Spain)
What Happened Was (1993, Tom Noonan, USA)
The Act in Question (1994, Alejandro Agresti, Argentina)
The Adventures of Priscilla, Queen of the Desert (1994, Stephan Elliot, Australia)
Ashes of Time (1994, Wong Kar-Wai, Hong Kong)
Cold Water (1994, Olivier Assayas, France)
Le Franc (1994, Djibril Diop Mambety, Senegal)
I Can’t Sleep (1994, Claire Denis, France)
In The Heat of the Sun (1994, Jiang Wen,, China)
Koridorius (1994, Sharunas Bartas, Lithuania)
Lamerica (1994, Gianni Amelio, Italy)
Mina Tannenbaum (1994, Martine Dugowson, Netherlands)
Miss Amerigua (1994, Luis F Vera, Paraguay)
Picture of Light (1994, Peter Mettler, Canada)
Rice People (1994, Rithy Panh, Cambodia)
Silences of the Palace (1994, Moufida Tlatli, Tunisia)
Strawberry and Chocolate (1994, Juan Carlos Tabio & Tomas Gutierrez Alea, Cuba)
Cyclo (1995, Anh Hung Tran, Vietnam)
From the Journals of Jean Seberg (1995, Mark Rappaport, USA)
Maborosi (1995, Hirokazu Kore-Eda, Japan)
Salaam Cinema (1995, Mohsen Makhmalbaf, Iran)
Up Down Fragile (1995, Jacques Rivette, France)
Waati (1995, Souleymane Cisse, Mali)
Comrades: Almost a Love Story (1996, Peter Chan, Hong Kong)
Drifting Clouds (1996, Aki Kaurismaki, Finland)
East Palace, West Palace (1996, Zhang Yuan, China)
Goodbye, South, Goodbye (1996, Hou Hsiao-Hsien, China)
Irma Vep (1996, Olivier Assayas, France)
A Petal (1996, Jang Sun-woo, South Korea)
Secrets & Lies (1996, Mike Leigh, UK)
Thesis (1996, Alejandro Amenabar, Spain)
Buud Yam (1997, Gaston Kabore, Burkina Faso)
Cube (1997, Vincenzo Natali, Canada)
Destiny (1997, Youssef Chahine, Egypt)
Franz & Kafka (1997, Matthew Saville, Australia)
Gummo (1997, Harmony Korine, USA)
Innocence (1997, Zeki Demirkubuz, Turkey)
Open Your Eyes (1997, Alejandro Amenabar, Spain)
Pickpocket (1997, Jia Zhang Ke, China)
Robinson in Space (1997, Patrick Keiller, UK)
Train of Shadows (1997, Jose Luis Guerin, Spain)
12 Storeys (1997, Eric Khoo, Singapore)
After Life (1998, Hirokazu Kore-eda, Japan)
The Apple (1998, Samira Makhmalbaf, Iran)
Caresses (1998, Ventura Pons, Spain)
A Chrysanthemum Bursts in Cinco Esquinas (1998, Daniel Burman, Argentina)
The Dinner Game (1998, Francis Veber, France)
From the Heart (1998, Mani Ratnam, India)
The Hole (1998, Tsai Ming-Liang, Taiwan)
I Stand Alone (1998, Gaspar Noe, France)
Inquietude (1998, Manoel de Oliveira, Portugal)
Killer (1998, Darezhan Omirbaev, Kazakhstan)
Khrustalyov, My Car! (1998, Aleksei German, Russia)
The Lovers Of The Arctic Circle (1998, Julio Medem, Spain)
More (1998, Mark Osborne, USA)
Rose Seller (1998, Victor Gaviria, Colombia)
Run Lola Run (1998, Tom Tykwer, Germany)
The Truman Show (1998, Peter Weir, USA)
Turbulent (1998, Shirin Neshat, Iran)
Ghost Dog: Way of the Samurai (1999, Jim Jarmusch, USA)
Girl, Interrupted (1999, James Mangold, USA)
The Iron Giant (1999, Brad Bird, USA)
Lies (1999, Sun-Woo Jang, South Korea)
The Little Girl Who Sold the Sun (1999, Djibril Diop Mambety, Senegal)
Outer Space (1999, Peter Tscherkassky, Austria)
Rosetta (1999, Jean-Pierre & Luc Dardenne, Belgium)
Samurai X: Trust & Betrayal (1999, Kazuhiro Furuhashi, Japan)
Anatomy (2000, Stefan Ruzowitzky, Germany)
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000, Jonas Mekas, USA)
Battle Royale (2000, Kinji Fukasaku, Japan)
The Day I Became a Woman (2000, Marzieh Meshkini, Iran)
Eureka (2000, Shinji Aoyama, Japan)
The Gleaners and I (2000, Agnes Varda, France)
The Heart of the World (2000, Guy Maddin, Canada)
In Vanda’s Room (2000, Pedro Costa, Portugal)
Joint Security Area (2000, Park Chan-Wook, South Korea)
Loners (2000, David Ondricek, Slovenia)
Mysterious Object at Noon (2000, Apichatpong Weerasethakul, Thailand)
101 Reykjavik (2000, Baltasar Kormakur, Iceland)
Platform (2000, Jia Zhang-Ke, China)
Suzhou River (2000, Lou Ye, China)
Tears of the Black Tiger (2000, Wisit Sasanatieng, Thailand)
Virgin Stripped Bare by Her Bachelors (2000, Hong San-soo, South Korea)
Water Drops on Burning Rocks (2000, Francois Ozon, France)
Werckmeister Harmonies (2000, Bela Tarr, Hungary)
Wings of Hope (2000, Werner Herzog, Germany)
You Can Count on Me (2000, Kenneth Lonergan, USA)
All About Lily Chou-Chou (2001, Shunji Iwai, Japan)
La Cienaga (2001, Lucrecia Martel, Argentina)
Lagaan: Once Upon a Time in India (2001, Ashutosh Gowariker, India)
Millennium Mambo (2001, Hsiao-hsien Hou, Taiwan)
Monsoon Wedding (2001, Mira Nair, India)
Moulin Rouge! (2001, Baz Luhrman, Australia)
The Orphan of Anyang (2001, Wang Chao, China)
The Profession of Arms (2001, Ermanno Olmi, Italy)
Shaolin Soccer (2001, Stephen Chow, Hong Kong)
Time Out (2001, Laurent Cantet, France)
What Time Is It There? (2001, Tsai Ming-Liang, Taiwan)
Adaptation. (2002, Spike Jonze, USA)
Atama-yama (2002, Koji Yamamura, Japan)
Blissfully Yours (2002, Apichatpong Weerasethakul, Thailand)
Camel(s) (2002, Park Ki-yong, South Korea)
Chaos and Desire (2002, Manon Briand, Canada)
Close So Close (2002, Stella Theodoraki, Greece)
The Coast Guard (2002, Park Chan-Wook, South Korea)
Decasia (2002, Bill Morrison, USA)
Demonlover (2002, Olivier Assayas, France)
Dream Work (2002, Peter Tscherkassky, Austria)
Film ist. 7-12 (2002, Gustav Deutsch, Austria)
Friday Night (2002, Claire Denis, France)
Hero (2002, Yimou Zhang, Hong Kong)
The Last Letter (2002, Frederick Wiseman, USA)
Man Without a Past (2002, Aki Kaurismaki, Finland)
Morvern Callar (2002, Lynne Ramsay, UK)
Name of a River (2002, Anup Singh, India)
The Son (2002, Jean-Pierre & Luc Dardenne, Belgium)
Ten (2002, Abbas Kiarostami, Iran)
28 Days Later (2002, Danny Boyle, UK)
The Far Side of the Moon (2003, Robert Lepage, Canada)
Goodbye Dragon Inn (2003, Tsai Ming Liang, Taiwan)
Gozu (2003, Takashi Miike, Japan)
I’m Not Scared (2003, Gabrielle Salvatores, Italy)
Memories of Murder (2003, Bong Joon-ho, South Korea)
The Net (2003, Lutz Dammbeck, Germany)
Save the Green Planet! (2003, Jang Joon-Hwan, South Korea)
Soldiers of Salamina (2003, David Trueba, Spain)
Tie Xi Qu: West of the Tracks (2003, Wang Bing, China)
Winter Days (2003, Kihachiro Kawamoto, Japan)
Black Friday (2004, Anurag Kashyap, India)
The Brotherhood of War (2004, Je-gyu Kang, South Korea)
Czech Dream (2004, Vit Klusak & Filip Remunda, Czechoslovakia)
The Holy Girl (2004, Lucrecia Martel, Argentina)
Howl’s Moving Castle (2004, Hayao Miyazaki, Japan)
Innocence (2004, Lucile Hadzihalilovic, Belgium)
Machuca (2004, Andres Wood, Chile)
Triple Agent (2004, Eric Rohmer, France)
Tropical Malady (2004, Apichatpong Weerasethakul, Thailand)
Turtles Can Fly (2004, Bahman Gohbadi, Iran)
Whisky, (2004, Juan Pablo Rebella & Pablo Stoll, Uruguay)
The World (2004, Jia Zhang-Ke, China)
Battle in Heaven (2005, Carlos Reygadas, Mexico)
Be With Me (2005, Eric Khoo, Singapore)
The Blossoming of Maximo Oliveros (2005, Auraeus Solito, Philippines)
Brokeback Mountain (2005, Ang Lee, USA)
El Caudillo Pardo (2005, Aldo Salvini, Peru)
The Death of Mister Lazarescu (2005, Cristi Puiu, Romania)
Election (2005, Johnnie To, Hong Kong)
49 Up (2005, Michael Apted, UK)
The Goodtimeskid (2005, Azarel Jacobs, USA)
Krisana (2005, Fred Kelemen, Latvia)
Mirror Mask (2005, Dave McKean, UK)
Mirror Mechanics (2005, Siegfried A. Fruhauf, Austria)
The New World (2005, Terence Malick, USA)
Sympathy for Lady Vengeance (2005, Park Chan-wook, South Korea)
Three Times (2005, Hou Hsiao-Hsien, Taiwan)
The Wayward Cloud (2005, Tsai Ming-Liang, Taiwan)
Your Name is Justine (2005, Franco de Pena, Poland)
Brand Upon the Brain! (2006, Guy Maddin, Canada)
Bothersome Man (2006, Jens Lien, Norway)
Climates (2006, Nuri Bilge Celyan, Turkey)
Colossal Youth (2006, Pedro Costa, Portugal)
Dry Season (2006, Mahamat Saleh Haroun, Chad)
The Fountain (2006, Darren Aronofsky, USA)
Heremias (2006, Lav Diaz, Philippines)
La-bas (2006, Chantal Akerman, Belgium)
Little Red Flowers (2006, Zhang Yuan, China)
Once (Jon Carney, Ireland, 2006)
Opera Jawa (2006, Garin Nugroho, Indonesia)
Times and the Wind (2006, Reha Erdem, Turkey)
To Get To Heaven First You Have To Die (2006, Djamshed Usmanov, Tajikistan)
Woman on the Beach (2006, Hong San-soo, South Korea)
And the Spring Comes (2007, Gu Changwei, China)
California Dreamin’ (2007, Christian Nemescu, Romania)
Hair Extensions (2007, Sion Sono, Japan)
Heima (2007, Dean Deblois, Iceland)
In the City of Sylvia (2007, Jose Luis Guerin, Spain)
Lust, Caution (2007, Ang Lee, Taiwan)
My Winnipeg (2007, Guy Maddin, Canada)
The Orphanage (2007, Juan Antonio Bayona, Mexico)
PVC-1 (2007, Spiros Stathoulopoulos, Colombia)
[REC] (2007, Jaume Balaguero & Paco Plaza, Spain)
Silent Light (2007, Carlos Reygadas, Mexico)
Summit Circle (2007, Bernard Emond, Canada)
2 Days in Paris (2007, Julie Delpy, France)
XXY (2007, Lucia Puenzo, Argentina)
Liverpool (2008, Lisandro Alonso, Argentina)
The Beaches of Agnes (2008, Agnes Varda, France)
Better Things (2008, Duane Hopkins, UK)
The Good, the Bad and the Weird (2008, Kim Ji-woon, South Korea)
The Headless Woman (2008, Lucrecia Martel, Argentina)
Hunger (2008, Steve McQueen, UK)
I Know (2008, Jan Cvitkovic, Slovenia)
JCVD (2008, Mabrouk El Mechri, Belgium)
Love Exposure (2008, Shion Sono, Japan)
Night and Day (2008, Hong Sang-soo, South Korea)
Waltz with Bashir (2008, Ari Folman, Israel)
Antichrist (2009, Lars von Trier, Denmark)
Enter the Void (2009, Gaspar Noe, France)
The Limits of Control (2009, Jim Jarmusch, USA)
The Maid (2009, Sebastian Silva, Chile)
The Temptation of St. Tony (2009, Veiko Ounpuu, Estonia)
Watchmen (2009, Zach Snyder, USA)

good to see many 2000’s films but i do hope that the 2000’s will be the minority on the final tally, after all, it’s the oldies we’re mostly searching of ;)

i hope i can submit another list some time later…

My last 6

Ai qing wan sui (Vive l’amour) (Tsai ming-liang, 1994, Taiwan)
El Cant dels ocells (Birdsong) (Alberto Serra, 2008, Spain)
Neobychainye priklyucheniya mistera Vesta v strane bolshevikov (The Incredible Adventures of Mr West in the Land of the Bolsheviks) (Lev Kuleshov, 1924, USSR)
Proshchanie (Farewell to Matiora) (Elem Klimov, 1983, USSR)
Uccellacci e uccellini (Hawks and Sparrows) (Pier Paolo Pasolini, 1966, Italy)
Yadom Ilaheyya (Divine Intervention) (Elia Suleiman, 2002, Palestinian Territories)

Vive L’amour’s in the TSPDT’s 1000 greatest films so it won’t be included.

Such a beautiful list, it brings tears to my eyes. Are you sure we have to cut it down? Can’t we keep it? I promise to feed it and take it for walks!

—PolarisDiB

are we using the old list or the new one? Cuz they took out Vive L’Amour in the new list.

Who the fuck picked Watchmen?

User, fear not Watchmen as a pick but as part of the final 100 tally, in case that happens :P

Syndromes and a Century (Apichatpong Weerastheakul, Thailand).

Savvy

here’s some more…

The Circle (Jafar Panahi , 2001, Iran)
The Heart of the World (Guy Maddin, 2000, Canada)
Audition (Takashi Miike, 1999, South Korea)
The House of Mirth (Terence Davies, 2000, UK)
Heavenly Creatures (Peter Jackson, 1994, UK)
Victim (Basil Dearden, 1961, UK)
Kings and Queen (Arnaud Desplechin, 2004, France)
The Triplets of Belleville (Sylvain Chomet, 2003, France)
8 Women (Francois Ozon, 2002, France)
The Others (Alejandro Amenabar, 2001, USA)
Election (Alexander Payne, 1999, USA)
No Man’s Land (Danis Tanovic, 2001, Bosnia/Herzegovina)
Duck Season (Fernando Eimbcke, 2004, Mexico)
Kung Fu Hustle (Stephen Chow, 2004, China)
Late Marriage (Dover Koshashvili, 2001, Israel)
The Magician (Ingmar Bergman, 1958, Sweden)
Carmen (Carlos Saura, 1983, Spain)
White Nights (Luchino Visconti, 1957, Italy)
The Ascent (Larissa Shepitko, 1976, USSR)
When A Woman Ascends the Stairs (Mikio Naruse, 1960, Japan)

Re. Vive l’amour. Well, if it’s been knocked out of the new TSP list I stick by it, otherwise substitute
Tierra del Fuego (Miguel Littin, 2000, Spain)
a remarkable film.

A High Wind in Jamaica (1965, Alexander Mackendrick, UK)
Our Mother’s House (1967, Jack Clayton, UK)
The Butcher Boy (1997, Neil Jordan, UK)
The Trial on the Roads (1971, Alexei German, Russia)
Heart of a Dog (1988, Vladimir Bortko, Russia)
The Outskirts (1998, Pyotr Lutsik, Russia)
The Day of The Locust (1975, John Shlesinger, USA)
God Told Me To (1976, Larry Cohen, USA)
Wise Blood (1979, John Huston, USA)
Matinee (1977, Jaime Humberto Hermosillo, Mexico)
Santa Sangre (1989, Alejandro Jodorowski, Mexico)
Onibaba (1964, Kaneto Shindo, Japan)
The Quest For Fire (1981, Jean-Jaque Annaud, France)
Songs From the Second Floor (2000, Roy Andersson, Sweden)
The End of August At the Hotel “Ozone” (1967, Jan Schmidt, Czechoslovakia)
The Round-Up (1966, Miclos Jancso, Hungary)
Hunger (1966, Henning Karlsen, Denmark)
Goryeo Jang (1963, Kim Ki-Young, South Korea)
Seven Beauties (1975, Lina Wertmuller, Italy)
Kontroll (2003, Nimrod Antal, Hungary)

Tekkonkinkreet (2006, Michael Arias, Japan)

I picked a really fast list to make 20 on time so, here ya go:

Tsubaki Sanjûrô (Sanjuro)
Kedamono no ken (Sword of the Beast)
Dai-bosatsu tôge (The Sword of Doom)
Lat sau san taam (Hard Boiled)
When We Were Kings
Ame agaru (After the Rain)
Tasogare Seibei (The Twilight Samurai)
True Romance
Jôi-uchi: Hairyô tsuma shimatsu (Samurai Rebellion)
The Hurt Locker
Mongol
Spoorloos (The Vanishing)
Ddongpari (Breathless)
The Life Aquatic with Steve Zissou
Hero
Battle Royale
Shaolin Soccer
Sympathy for Lady Vengeance
Paprika
Punching the Clown

15 more:

Un homme de tête (1898, Georges Meilies, France)
Paris Belongs to Us (1960, Jacques Rivette, France)
Adieu Philippine (1962, Jacques Rozier, France)
Saute ma ville (1968, Chantal Akerman, Belgium)
Love is Colder than Death (1969, Rainer Werner Fassbinder, Germany)
The Man Who Left his Will on Film (1970, Nagisa Oshima, Japan)
Promise of the Flesh (1975, Kim Ki-young, South Korea)
Ina, kapatid, anak (1979, Lino Brocka, The Philppines)
Permanent Vacation (1980, Jim Jarsmuch, USA)
Feng gui lai de ren (1983, Hou Hsiao Hsien, China)
The Match Factory Girl (1990, Aki Kaurismaki, Finland)
Alone. Life Wastes Andy Hardy (1998, Martin Arnold, Austria)
Monday (2000, Sabu, Japan)
Tale of Cinema (2005, Hong Sang-soo, South Korea)
Fantasma (2006, Lisandro Alonso, Argentina)

*Kudos to the individual who credited both de Fuentes and Bustillo Oro with El compadre Mendoza.

10 more:

Clean (2004, Olivier Assayas, France)
Time to Die (1966, Arturo Ripstein, Mexico)
Silvia Prieto (1999, Martín Rejtman, Argentina)
Born in ’45 (1965, Jürgen Böttcher, East Germany)
Assassination (1964, Masahiro Shinoda, Japan)
Arch of Triumph (1948, Lewis Milestone, USA)
Lights in the Dusk (2006, Aki Kaurismäki, Finland)
Another Sky (1954, Gavin Lambert, UK)
The Most Beautiful Wife (1970, Damiano Damiani, Italy)
Still Life (2006, Jia Zhangke, China)

So can I just casually add some films here and there as I think of them?

Alice (1990, Woody Allen, USA)
Bringing Out the Dead (1999, Martin Scorsese, USA)
Everyone Says I Love You (1996, Woody Allen, USA)
Made in USA (1966, Jean Luc Godard, France)
Rumble Fish (1983, Francis Ford Coppola, USA)
Tetro (2009, Francis Ford Coppola, USA)

one more list by me, if i’ve made any mistakes, please let me knwo so i can correct them:

The Counterfeit Coin by Yorgos Javellas (1955, Greece)
Macedonian Blood Wedding by Trajce Popov (1967, Yugoslavia)
The Hunchback of Notre Dame by Wallace Worsley (1923, U.S.A.)
Passions by Kira Muratova (1994, Russia)
Swept Away… by an Unusual Destiny in the Blue Sea of August by Lina Wertmüller (1974, Italy)
Police Story by Jackie Chan (1985, Hong Kong)
Dragon Inn by King Hu (1967, Taiwan)
The Shepherds of Calamity by Nikos Papatakis (1967, Greece)
City after Dark by Ishmael Bernal (1980, Philippines)
I Even Met Happy Gypsies by Aleksandar Petrovic (1967, Yugoslavia)
Funeral Parade of Roses by Toshio Matsumoto (1969, Japan)
The Goat Horn by Metodi Andonov (1972, Bulgaria)
Hope by Serif Gören and Yilmaz Güney (1970, Turkey)
Three Crowns of the Sailor by Raoul Ruiz (1983, France)
The Holy Mountain by Arnold Fanck (1926, Germany)
Allonsanfàn by Paolo Taviani and Vittorio Taviani (1974, Italy)
The Cat Concerto by Joseph Barbera and William Hanna (1947, U.S.A.)
A Chairy Tale by Claude Jutra and Norman McLaren (1957, Canada)
Euridice BA 2037 by Nikos Nikolaidis (1975, Greece)
Pretty Village, Pretty Flame by Srđan Dragojević (1996, Serbia)

as a newcomer to the auteurs I don’t understand the meaning of this thread and what’s going on in many similar one.

or maybe I’m not that smart :)

I posted this list on the original thread about 20 minutes ago but I decided to post it here as well to make sure my list would be seen :P

just ten:

The Mission (1986, Roland Joffe, United Kingdom)
Through a Glass Darkly (1961, Igmar Bergman, Sweeden)
A River Runs Through It (1992, Robert Redford, United States)
Kikujiro (1992, Takeshi Kitano, Japan)
Millenium Actress (2001, Satoshi Kon, Japan)
Sword of Doom (1966, Kihachi Okamoto, Japan)
Five Minutes of Heaven (2009, Oliver Hirschbiegel, United Kingdom)
Treeless Mountain (2008, So Yong Kim, South Korea)
Match Point (2005, Woody Allen, United States)
The Three Burials of Melquiades Estrada (2005, Tommy Lee Jones, United States)

Surely The Virgin Spring is in TSPDT? Crazy ommission if not.

Another one:

Hamaca Paraguaya (2006, Paz Encina, Paraguay)

i should probly check Tom, im not sure if its on there or not…but i feel that its definitely one of his underrated masterpieces

EDIT: yep its on the list…

i hope 10’s to 90’s films will be dominating the final list, the 2000’s can wait ;)

Tom, Tom, The Piper’s Son (1969, Ken Jacobs, US)
Phenomena (1968, Jordan Belson, US)
Sink or Swim (1990, Su Friedrich, US)
Linda Linda Linda (2005, Nobuhiro Yamashita, Japan)
The Mad Fox (1962, Tomu Uchida, Japan)
Japanese Girls at the Harbor (1933, Hiroshi Shimizu, Japan)
Trees of Syntax, Leaves of Axis (2009, Daichi Saito, Canada)
Inferno (1980, Dario Argento, Italy)
Possession (1981, Andrzej Zulawski, West Germany)
L’Intrus (2004, Claire Denis, France)
Regular Lovers (2005, Philippe Garrel, France)
L’ange (1982, Patrick Bokanowski, France)
A Tale of the Wind (1988, Joris Ivens, France)
Film Ist A Girl is A Gun (2009, Gustav Deutsch, Austria)
Party (1995, Dietmar Brehm, Austria)
Our Century (1983, Artavazd Peleshian, Soviet Union)
Unas Fotos En La Ciudad De Sylvia (2007, José Luis Guerín, Spain)
This Charming Girl (2004, Yoon-ki Lee, South Korea)

crap I had 4 France on that list, taking out L’Intrus if someone else nominates it.

Any one is updating the database some of the films arent here, like Director Ventura Pons!