The Auteurs Film & Cast Member Database
Anja Laïs (http://mubi.com/cast_members/331242)
Eva Mannschott (http://mubi.com/cast_members/324511)
Dagmar Sachse (http://mubi.com/cast_members/175236)
Dorothea Walda (http://mubi.com/cast_members/216803)
Götz Argus (http://mubi.com/cast_members/201310)
Bernd Hoffmann (http://mubi.com/cast_members/311244)
Rüdiger Klink (http://mubi.com/cast_members/208740)
Seán McDonagh (http://mubi.com/cast_members/260898)
Andrea Zogg (http://mubi.com/cast_members/136207)
Bio:
Mathangi “Maya” Arulpragasam, better known by her stage name M.I.A. (both a play on her name and abbreviation for Missing in Action), is a British recording artist, songwriter, painter and director of Sri Lankan Tamil descent. Her compositions combine elements of electronica, dance, alternative, hip hop and world music. M.I.A. began her career in 2000 as a visual artist, filmmaker and designer in West London before beginning her recording career in 2002. Since rising to prominence in early 2004 for her singles “Sunshowers” and “Galang”, charting in the UK and Canada and reaching number 11 on the Billboard Hot Dance Singles Sales in the US, she has been nominated for an Academy Award, two Grammy Awards and the Mercury Prize. –Wikipedia
Quote:
I’ve always had this American-pie face that would get work in commercials… I’d say things like, “Hi, Marge, how’s your laundry?” and “Hi, I’m a real nice Georgia peach”. Sometimes this work is one step above being a cocktail waitress.
Bio:
Teri Garr can claim a career in show business by birthright. She was the daughter of Eddie Garr, a Broadway stage and film actor, and Phyllis Garr, a dancer. While she still an infant her family moved from Hollywood to New Jersey but, after the death of her father when she was 11, the family returned to Hollywood, where her mother became a wardrobe mistress for movies and television. While Garr’s dancing can be seen in nine Elvis Presley movies, her first speaking role in motion pictures was in the 1968 feature Head (1968), starring The Monkees. In the 1970s she became well established in television with appearances on shows such as “Star Trek” (1966), “It Takes a Thief” (1968) and “McCloud” (1970), and became a semi-regular on “The Sonny and Cher Show” (1976) as Cher’s friend, Olivia. Garr has since risen to become one of Hollywood’s most versatile, energetic and well-recognized actresses. She has starred in many memorable films, including Young Frankenstein (1974), Oh, God! (1977), Close Encounters of the Third Kind (1977), Mr. Mom (1983), After Hours (1985) and her Academy Award-nominated performance for Best Supporting Actress in Tootsie (1982). Other film roles include The Black Stallion (1979), One from the Heart (1982), The Escape Artist (1982), Firstborn (1984), Let It Ride (1989), Full Moon in Blue Water (1988), Out Cold (1989), Short Time (1990), Waiting for the Light (1990), Mom and Dad Save the World (1992), Perfect Alibi (1995), Prêt-à-Porter (1994) and A Simple Wish (1997). –IMDb
Quote:
I want to be strong and a vampire slayer.
Bio:
Born and raised in Dallas, Texas, where she graduated Lake Highlands High School, Amy Acker is the oldest of four children, two sisters and one brother. An acting major at Southern Methodist University, Amy acted in several college theater productions. She appeared in various roles during the fantasy segments for the popular award-winning children’s TV series “Wishbone” (1995), which was filmed in Texas and consisted of Dallas theater actors. Upon graduation she worked in Wisconsin and New York before winning the role of “Fred” on “Angel” (1999). –IMDb
Still replacement suggestion for The Big Gundown :
Also ; Tulio Demicheli, Fernando Morandi and Franco Solinas should be added in SCR + Adriana Novelli in ED + Carlo Simi in Costume Design + Audrey Nohra in MUSIC
+
María Granada, Nieves Navarro, Roberto Camardiel, Tom Felleghy, Calisto Calisti, Antonio Molino Rojo, José Torres, Silvana Bacci, Luis Barboo, Fernando Bilbao, Frank Braña, Antonio Casas, Spartaco Conversi, Ángel del Pozo, Maribel Martín, Nello Pazzafini, Romano Puppo, Lorenzo Robledo, Benito Stefanelli and Monica Strebel in CAST.
Rihanna’s photo
The Hunchback of Notre Dame (http://mubi.com/films/the-hunchback-of-notre-dame—2)
Please add:
Sound:
Larry Kemp (http://mubi.com/cast_members/149604)
Lon Bender (http://mubi.com/cast_members/88189)
Kim Waugh (http://mubi.com/cast_members/356532)
Animation:
Jennifer K. Ando
Anne Marie Bardwell (http://mubi.com/cast_members/92118)
James Baxter (http://mubi.com/cast_members/217118)
Jared Beckstrand (http://mubi.com/cast_members/198791)
Allison Belliveau (http://mubi.com/cast_members/356533)
Olivier Besson
Travis Blaise (http://mubi.com/cast_members/119050)
Geefwee Boedoe (http://mubi.com/cast_members/179363)
Bolhem Bouchiba
Rejean Bourdages (http://mubi.com/cast_members/356453)
Chris Bradley
Justin Brandstater (http://mubi.com/cast_members/356534)
Darlie Brewster (http://mubi.com/cast_members/196918)
Robert Bryan (http://mubi.com/cast_members/217166)
Marek Buchwald
Dave Burgess (http://mubi.com/cast_members/119052)
Brooks Campbell (http://mubi.com/cast_members/217170)
Dominic M. Carola
Michael Cedeno (http://mubi.com/cast_members/356454)
Roger Chiasson (http://mubi.com/cast_members/217179)
Jay N. Davis
Sylvain Deboissy (http://mubi.com/cast_members/230464)
Patrick Delage
Peter DeSève (http://mubi.com/cast_members/212877)
Dominick R. Domingo (http://mubi.com/cast_members/356457)
Roberto Espanto Domingo
Sasha Dorogov (http://mubi.com/cast_members/356536)
Greg Drolette (http://mubi.com/cast_members/356458)
Debbie Du Bois (http://mubi.com/cast_members/356459)
Russ Edmonds (http://mubi.com/cast_members/198795)
Thom Enriquez (http://mubi.com/cast_members/50133)
Marc Eoche-Duval (http://mubi.com/cast_members/196924)
Jean-Paul Fernandez
Will Finn (http://mubi.com/cast_members/48574)
Trey Finney (http://mubi.com/cast_members/356537)
Doug Frankel (http://mubi.com/cast_members/231046)
Tony Fucile (http://mubi.com/cast_members/107255)
Danny Galieote
Raul Garcia (http://mubi.com/cast_members/356538)
Tom Gately (http://mubi.com/cast_members/356539)
Vance Gerry (http://mubi.com/cast_members/53291)
Ed Ghertner
Jean Gillmore (http://mubi.com/cast_members/356464)
Darek Gogol (http://mubi.com/cast_members/356541)
Steven Pierre Gordon (http://mubi.com/cast_members/356542)
Joe Grant (http://mubi.com/cast_members/22540)
Brian Wesley Green
Gregory William Griffith
Kent Hammerstrom
David Hancock (http://mubi.com/cast_members/245188)
Brad Hicks
T. Daniel Hofstedt (http://mubi.com/cast_members/198796)
Michael Humphries (http://mubi.com/cast_members/97431)
Ron Husband (http://mubi.com/cast_members/228157)
Mikyung Joung-Raynis (http://mubi.com/cast_members/356547)
Lisa Keene (http://mubi.com/cast_members/356722)
Shawn Keller (http://mubi.com/cast_members/356723)
Mark Koetsier (http://mubi.com/cast_members/217258)
Doug Krohn (http://mubi.com/cast_members/356548)
Brad Kuha (http://mubi.com/cast_members/356466)
Dave Kupczyk (http://mubi.com/cast_members/144294)
Michael Kurinsky (http://mubi.com/cast_members/356642)
William Lorencz
Rick Maki
Teresa Martin (http://mubi.com/cast_members/356550)
David McCamley (http://mubi.com/cast_members/352152)
Mike ‘Moe’ Merell
Serge Michaels (http://mubi.com/cast_members/356469)
Patricia Millereau-Guilmard (http://mubi.com/cast_members/217297)
Dominique Monfery (http://mubi.com/cast_members/22757)
Don Moore (http://mubi.com/cast_members/210995)
Joaquim Royo Morales (http://mubi.com/cast_members/217301)
Jean Morel (http://mubi.com/cast_members/352154)
Joseph C. Moshier
Sue C. Nichols (http://mubi.com/cast_members/356470)
Dan O’Sullivan (http://mubi.com/cast_members/217311)
Jamie Oliff
Sergio Pablos (http://mubi.com/cast_members/113832)
Gilda Palinginis (http://mubi.com/cast_members/356471)
Ralf Palmer (http://mubi.com/cast_members/352160)
Patricia Palmer-Phillipson (http://mubi.com/cast_members/356472)
Pierre Pavloff
Catherine Poulain
David Pruiksma (http://mubi.com/cast_members/356474)
Mark Pudleiner
William Recinos (http://mubi.com/cast_members/356554)
John Ripa (http://mubi.com/cast_members/356555)
Stéphane Sainte-Foi
Chris Sauve (http://mubi.com/cast_members/356557)
Colin Stimpson
Michael Surrey (http://mubi.com/cast_members/198794)
Yoshimichi Tamura
George Taylor
Maryann Thomas (http://mubi.com/cast_members/352169)
Christophe Vacher (http://mubi.com/cast_members/356660)
Chris Wahl (http://mubi.com/cast_members/356479)
Bill Waldman (http://mubi.com/cast_members/352173)
Eric Walls (http://mubi.com/cast_members/356558)
Larry White (http://mubi.com/cast_members/356481)
Rowland B. Wilson
Anthony Ho Wong
Thomas Woodington (http://mubi.com/cast_members/356482)
Phillip Young (http://mubi.com/cast_members/356483)
David A. Zaboski (http://mubi.com/cast_members/356559)
Kathy Zielinski (http://mubi.com/cast_members/356560)
Still replacement suggestion for Any Gun Can Play :
Also ; Maurizio Amati should be added as EXEC + José Torres, Ivano Staccioli, Gérard Herter, Ignazio Spalla, Adriana Giuffrè, Valentino Macchi, Riccardo Pizzuti, Marco Mariani, Salvatore Borghese, Rocco Lerro and José Yepes in CAST + Alberto Boccianti in PROD DES + Maria Baroni and Dario Cecchi in Costume Design
Stolen Death (http://mubi.com/films/stolen-death)
A thriller set in turn-of-the-century Helsinki, Stolen Death uses elements of German expressionism to tell the story of Finnish resistance fighters smuggling arms to overthrow the Tsarist occupiers of Finland. Tapiovaara stresses the divided loyalties of the Finnish bourgeoisie, torn between preserving their privileged economic position and taking a risky stand for an independent Finland. Stolen Death can be viewed as a thinly disguised protest against the rise of the fascist movement in Finland in the 1930s. Tapiovaara’s allegorical indictment of class inequality and the suppression of free speech and political expression, coupled with his death at 28 fighting the Russians in the Winter War of 1939-1940, earned him almost a mythic status in Finland. “Helsinki is depicted as a city of empty streets and closed windows. It is the perfect setting for a melodrama [and] Tapiovaara enlivens each scene with his own idiosyncratic quirks and fancies. [A] strain of visual irony persists throughout the film.” (Peter Cowie) —BAM/PFA
Geefwee Boedoe (http://mubi.com/cast_members/179363)
Upon graduating from CalArts in 1988 Geefwee Boedoe started his professional career in the animation industry as a hand-drawn animator for Walt Disney Studios. Since that time Geefwee Boedoe has worked in Story and/or Visual Development for Pixar, ILM, DreamWorks, and others. Both his character and environment designs for film have been published in books, including “The Art of Monsters Inc.”, “The Art of The Incredibles” and “The Art of Finding Nemo”. A number of his paintings and drawings were also selected for exhibition at MOMA in New York as part of a Pixar Art retrospective. The Opening Title Sequence to “Monsters Inc.” which received high critical acclaim was conceived, storyboaded, and designed by Geefwee Boedoe, who also directed the animation.
In 2004 his first children’s book “Arrowville”, that he wrote and illustrated, was named a Ten Best Children’s Illustrated Book by the New York Times Book Review, and also won the Best Illustrated Book award from the National Cartoonists Society. He also illustrated in “Roald Dahl – Songs and Verse,” along with illustrators including Quentin Blake, Lane Smith and William Joyce.
Over three years in the making, Geefwee Boedoe recently finished his short animated film “Let’s Pollute” which is now screening at independent film festivals worldwide.
Geefwee Boedoe is an independent freelance artist, and is available for animation, design and illustration work. His specialty is bringing humor and unexpected concepts into the design process, and he is always on the look-out to take things a step beyond the fimiliar. —Official site
Maryann Thomas (http://mubi.com/cast_members/352169)
Maryann Thomas was born in New York and grew up in California. Her artistic abilities were inherent; her grandmother was a watercolorist and had studied at the prestigious Art Students League in New York City. During high school Maryann completed the advanced placement program in art and also received summer scholarships from both Cal State Northridge and Art Center College of Design. She returned to Art Center to complete her formal art education and graduated with honors in illustration in 1984.
After graduation, Maryann enjoyed ten years as a successful freelance illustrator, specializing in advertising, editorial, and publishing commissions. In 1994 she joined the Walt Disney Studios as a background painter in the Feature Animation Division. Her credits now include “The Hunchback of Notre Dame,” “Mulan,” “Fantasia 2000,” and more recently “Atlantis.” Currently, Maryann is Art Director for the sequel of “Lilo & Stitch”, which is a thoroughly enjoyable all-watercolor style feature by Disney. Like the acclaimed California scene painters Phil Dike and Charles Payzant, who were also Disney artists, Maryann continues a tradition of combining a distinguished career in film, along with increasing popularity as a fine artist.
“My art has many influences,” she says “in particular are the early 20th century American painters John Singer Sargent, Winslow Homer, and Georgia O’Keeffe.”
Combining her love of travel and painting, with both on site studies and more complex studio works, she pursues a variety of subjects and strives to find fresh ways of approaching familiar ones.
Maryann makes her home and studio in Bishop, California. —Official site
Joaquim Royo Morales (http://mubi.com/cast_members/217301)
Joaquim Royo Morales was born in Barcelona, Spain in 1962. He spent his childhood there and enrolled in the University of Fine Arts in Barcelona. At the university, he studied various forms of studio art, but had a particular passion for animation.
In 1980, during his second year of school, Joaquim made his first professional foray into animation. He worked in the Background Department of the Andreo Studio in Barcelona.
Following his training in Spain, he began to work as a freelance artist in Europe throughout the eighties. Joaquim travelled in Germany and England, working in advertising and illustration. For the French television series Il était une fois la vie and Omer, le petit ver, he participated in pre-production.
Joaquim returned to Spain as head of the Background Department for Equipe Studios in Barcelona. While with Equipe, he contributed to the film Mofly, The Last Koala. On the heels of the film’s success, 24 episodes were prepared for Spanish television, and Joaquim continued in his role as supervising background artist.
In 1993, he moved to Paris and the Walt Disney Television Animation Studio. During that year, he contributed to the backgrounds of the studio’s feature project, A Goofy Movie, originally intended for the television but ultimately released in theaters, this film marked the evolution of the studio to the exclusive production of feature films. In 1994 the studio officially became Walt Disney Feature Animation, and has produced ever since the full length “Classics” of the Disney Studio. Joaquim participated in its first short, Runaway Brain, which was nominated for a 1995 Academy Award®.
During the pre-production of The Hunchback of Notre Dame, some of Joaquim’s designs were selected for the film’s background atmosphere. Following that feature, he began work on Hercules, and was promoted to Paris Unit Supervisor of the Background Department.
For Tarzan, Joaquim contributed in his role as Artistic Supervisor, taking in charge from a background standpoint entire sequences of the film, be it by visualising the story and color concept through thumbnails or by painting color keys. Along with his team of ten artists, they finally produced 450 backgrounds out of the 1500 composing the film.
Joaquim worked in the same capacity on Atlantis, The Lost Empire, the Disney feature film released in France on November 28th, 2001. For Atlantis, the French studio produced 213 of the 1392 backgrounds in the film.
The Paris studio is then entrusted with the task of elaborating an animation segment of 1mn20s as part of the UNICEF new campaign of sensibilisation for Children’s rights. This segment is integrated in an animation movie issued from the contribution between 14 studios and UNICEF. This project enabled the studio to work more independently. Joaquim was involved on producing some of the backgrounds digitally.
Joaquim kept going with the production of an episode of House of Mousse, a TV series broadcasted on Disney Channel early 2002 as well as some segments of the sequel Jungle book II.
Finally the studio started a new project, a short based on an original story developed initially in 1946 by Salvador Dali and Walt Disney. The short entitled Destino had never been produced since then. For this project Joaquim acted as a background painter both traditionally for research, and digitally for the backgrounds.
After the closing of the Walt Disney Studios in Paris, Joaquim was transferred at the Disney Studios in California as an Art Director on Tarzan 2.
After this production, Joaquim decided to return to Paris and he had an opportunity to work on the Asterix and the Vikings film with Neomisanimation studio and Curious Georges film with the same studio for the Universal Studios in Hollywood.
He worked for Neomisanimation studio collaborating with Moonscoop studios on Titeuf, le film, while participating in personal art exhibitions in Liege, Lyon and Paris.
After Titeuf, le film Joaquim has been involved on several projects as a concept artist and visual developpement, especially on the feature animated project WILFRED presented on the last festival in Annesy, this summer.
As an avid oil painter and airplane modelist, Joaquim lives in Paris. He exhibited in Tarragone, Madrid, Liège, Lyon, Paris and Barcelona. —Official site
Spacehunter
http://farm8.staticflickr.com/7162/6701758229_1f453a3fb4_b.jpg
Duplicate:
http://mubi.com/films/abraxas-guardian-of-the-universe
http://mubi.com/films/abraxas-guardian-of-the-universe—2
The still you have for Tinker Tailor Soldier Spy is a publicity still and actually spoils the end of the movie. Here’s a possible, high quality new one, that I captured myself:
Also, I think you should lose the commas in the title, cause I don’t think they’re in the official title for the film. It should probably be just “Tinker Tailor Soldier Spy”, but that’s not a big deal.
A much better image for Gamer if you ask me. ;)
“Stardom is all hard work, aspirins and purgatives.”
Elsa Sullivan Lanchester was born into an unconventional a family at the turn of the 20th century. Her parents, James “Shamus” Sullivan and Edith “Biddy” Lanchester, were socialists – very active members of the Social Democratic Federation (SDF) in a rather broad sense and did not believe in the institution of marriage and being tied to any conventions of legality for that matter. Her mother had actually been committed to an asylum in 1895 by her father and older brothers because of her unmarried state with James. The incident received worldwide press as the “Lanchester Kidnapping Case.”
Elsa had a great desire to become a classical dancer and to that end at age 10 her mother enrolled her at the famed Isadora Duncan’s Bellevue School in Paris in 1912. But the uncertainties of WW1 brought her home after only two years. At age 12, she was sent to a co-educational boarding school in Kings Langley, Hertfordshire, England, to teach dance classes in exchange for her education and board. In 1918, she was hired as a dance teacher at Margaret Morris’s school on the Isle of Wight.
Next to dance, she loved the music halls of the period, so in 1920 she debuted in a music hall act as an Egyptian dancer. About the same time she founded the Children’s Theater in Soho, London and taught there for several years. She made her stage debut in 1922 in the West End play Thirty Minutes in a Street. In 1924 she and her partner, Harold Scott, opened a London nightclub called the Cave of Harmony. They performed one-act plays by Pirandello and Chekhov and sang cabaret songs. She would later collect and record these and many others. The spot was frequented by literati like Aldous Huxley, H.G. Wells and also James Whale, working in London theater and soon to be directing on Broadway and Hollywood’s most famous horror films. Lanchester kept busy including, on her own admission, posing nude for artists. During a 1926 comic performance in the Midnight Follies at London’s Metropole, a member of the British Royal family walked out as she sang, “Please Sell No More Drink to My Father”. She closed her nightclub in 1928 as her film career began in earnest.
Perhaps not beautiful in the more conventional sense, Lanchester was certainly pretty as a young woman with a turned-up nose that gave her a pert, impish expression, all the more striking with her large, expressive dark eyes and full lips. She had a lithe figure that she carried with the assuredness of her dancing background. Her voice was bright and distinctive, and had a delightful rush and trill that had an almost Scottish burr quality. What clicked on stage would do the same in the movies.
Her first film appearance was actually in an amateur movie by friend and author Evelyn Waugh called The Scarlet Woman: An Ecclesiastical Melodrama (1925). Her formal film debut was in the British movie One of the Best (1927). She continued stage work and became associated in 1927 with a rather self-possessed but keenly dedicated actor, Charles Laughton. He appeared with her in three of four films Lanchester did in 1928. Three of these were written for her by H.G. Wells). They did a few plays as well and wed in 1929. According to Lancester, after two years, she discovered he was homosexual but they remained married until his death in 1962. Lanchester declared in a 1958 interview that she kept to a separate career path from her husband. They were never an on-screen team but appeared together on occasion — moving through 1931 with several smart play-like films including Potiphar’s Wife (1931) with Laurence Olivier. She had done the play Payment Deferred in London in 1930 and followed it to Broadway in 1931.
MGM offered her a contract in 1932. In 1933 Alexander Korda was casting his The Private Life of Henry VIII. (1933) and decided that Laughton was the perfect choice – and his wife would be just as perfect as one of Henry’s six wives. Elsa’s versatility pointed to a part with some comedic elements and fitting more into a caricature. She looked most like Hans Holbein’s famous portrait of Anne of Cleves (Henry’s fourth wife who was actually somewhat more homely than the painter depicted). In costume Lanchester was charming if not striking. Her interpretation of Anne was a perfect integration with herself, and her scene with Laughton informally playing cards on the marriage bed and deciding on annulment is a highpoint of the movie.
Of course, it would be hard to mention her film career of the 1930s without mentioning the one role that would forever dog her, Bride of Frankenstein (1935). Having come to Hollywood with Laughton in 1932 (but not permanently until 1939), Lanchester did only a few films up to 1935 and was disappointed enough with Hollywood’s reception to return to London for a respite. She was quickly called back by old friend from London, stage and film associate James Whale, now the noted director of Frankenstein (1931) and The Invisible Man (1933). He wanted her for two parts in Bride: author Mary Shelley and the bride. A central joke of the movie build-up was the tag lines: “WHO will be The Bride of Frankenstein? WHO will dare?”
Indeed, it was no honeymoon for her. For some ten days, Lanchester was wrapped in yards of bandage and covered in heavy makeup. The stand-on-end hairdo was accomplished by combing it over a wire mesh cage. Lanchester was in real agony with her eyes kept taped wide open for long takes – and it showed in her looks of horror. Her monster’s screaming and hissing sounds (based on the sounds of Regents Park swans in London) were taped and then run backward to spook-up the effect. She was delightfully melodramatic and picturesque as Wollstonecraft, and her bride would become iconic. Many have considered Bride of Frankenstein (1935) the best of the golden age horror movies.
Lanchester stood out in her next movie with Laughton the next year, Korda’s dark Rembrandt (1936), but she only did a few more films for the remainder of the decade. Through the 1940s she was doubly busy – a couple of films per year while regenerating her beloved musical revue sketches. She performed for 10 years at the Turnabout Theater in Hollywood, using old London music hall/cabaret songs and others written for her. Later she would have to split her time further doing a similar act at a supper club called The Bar of Music. By the later 1940s she had become rather matronly, and the roles would settle appropriately. But she always lent her sparkle, as with her charming maid Matilda in The Bishop’s Wife (1947). She would be nominated for best supporting actress in Come to the Stable (1949).
She entered the 1950s busy with road touring of her nightclub act with pianist J. Raymond Henderson (who went by “Ray” and who is sometimes confused with popular songwriter Ray Henderson). There was a series of tours to complement Laughton’s famous reading tours, called Elsa Lanchester’s Private Music Hall which ended in 1952; Elsa Lanchester—Herself which ended in 1961; and once more in 1964 at the Ivar Theater. She was equally busy with a stock of film roles and a large share of TV playhouse theater.
She had made ten movies with Laughton, the last of which, Witness for the Prosecution (1957) garnered her second supporting actress nomination. But her dizzy Aunt Queenie Holroyd of Bell Book and Candle (1958) is a fond remembrance of that time.
With the two decades from the 1960s to early 1980s, Lanchester was a fixture on episodic TV and an institution in Disney and G-rated fare — perhaps a bit ironic for the unconventional Lanchester. She wrote two autobiographies: Charles Laughton and I (1938) and Elsa Lanchester: Herself (1983), both recalling nearly 100 roles before the camera.
Elsa Lanchester remained humorously reflective in regard to her film career: “…large parts in lousy pictures and small parts in big pictures.” It was the mix of silly, bawdy, and outrageous in her revues that was her great joy: “I was content because I was fully aware that I did not like straight acting but preferred performing direct to an audience. You might call what I do vaudeville. Making a joke, especially impromptu, and getting a big laugh is just plain heaven.” —IMDB
Hercules (http://mubi.com/films/hercules)
Please add:
Sound:
Tim Holland (http://mubi.com/cast_members/99537)
Gary Rydstrom (http://mubi.com/cast_members/101072)
Animation:
Sunny Apinchapong (http://mubi.com/cast_members/356452)
Chris Bailey (http://mubi.com/cast_members/175510)
Barry Baker
Howard E. Baker (http://mubi.com/cast_members/289769)
James Baker (http://mubi.com/cast_members/217114)
Jean-Luc Ballester
Craig Baxter
Richard Bazley (http://mubi.com/cast_members/119049)
Jared Beckstrand (http://mubi.com/cast_members/198791)
Nancy Beiman (http://mubi.com/cast_members/198793)
David Berthier
Olivier Besson (http://mubi.com/cast_members/357134)
David Block (http://mubi.com/cast_members/122158)
Bolhem Bouchiba (http://mubi.com/cast_members/357135)
Andrey Brandl
Justin Brandstater (http://mubi.com/cast_members/356534)
Robert Bryan (http://mubi.com/cast_members/217166)
Marek Buchwald (http://mubi.com/cast_members/357137)
Thomas Cardone (http://mubi.com/cast_members/212876)
Michael Cedeno (http://mubi.com/cast_members/356454)
Roger Chiasson (http://mubi.com/cast_members/217179)
Caroline Cruikshank
Anthony de Rosa (http://mubi.com/cast_members/212861)
Andreas Deja (http://mubi.com/cast_members/212174)
Patrick Delage (http://mubi.com/cast_members/357140)
Eric Delbecq
Roberto Espanto Domingo (http://mubi.com/cast_members/357141)
Greg Drolette (http://mubi.com/cast_members/356458)
Ken Duncan (http://mubi.com/cast_members/98165)
Adam Dykstra (http://mubi.com/cast_members/198797)
Marc Eoche-Duval (http://mubi.com/cast_members/196924)
Sahin Ersöz (http://mubi.com/cast_members/352136)
Scott Fassett
Colbert Fennelly
Brian Ferguson (http://mubi.com/cast_members/356461)
Jean-Paul Fernandez (http://mubi.com/cast_members/357142)
Raffaella Filipponi
Bill Fletcher
Thierry Fournier (http://mubi.com/cast_members/100626) – please split this cast profile!
Natalie Franscioni-Karp (http://mubi.com/cast_members/356463)
Danny Galieote (http://mubi.com/cast_members/357143)
Raul Garcia (http://mubi.com/cast_members/356538)
Tom Gately (http://mubi.com/cast_members/356539)
Jean Gillmore (http://mubi.com/cast_members/356464)
Eric Goldberg (http://mubi.com/cast_members/54219)
Ian Gooding (http://mubi.com/cast_members/212173)
Steven Pierre Gordon (http://mubi.com/cast_members/356542)
Thierry Goulard
Roger Gould (http://mubi.com/cast_members/58105)
Joe Grant (http://mubi.com/cast_members/22540)
Juanjo Guarnido
Susan Hackett
Teddy Hall
Kent Hammerstrom (http://mubi.com/cast_members/356544)
David Hancock (http://mubi.com/cast_members/245188)
Randy Haycock (http://mubi.com/cast_members/230902)
Brad Hicks (http://mubi.com/cast_members/357147)
T. Daniel Hofstedt (http://mubi.com/cast_members/198796)
Richard Hoppe
Jason Horley
Steven Clay Hunter (http://mubi.com/cast_members/99476)
Ron Husband (http://mubi.com/cast_members/228157)
Jay Jackson (http://mubi.com/cast_members/229208)
Jeff Johnson (http://mubi.com/cast_members/217247)
Mikyung Joung-Raynis (http://mubi.com/cast_members/356547)
Lisa Keene (http://mubi.com/cast_members/356722)
Sang-Jin Kim
Bert Klein (http://mubi.com/cast_members/300710)
Doug Krohn (http://mubi.com/cast_members/356548)
David Kuhn (http://mubi.com/cast_members/356549)
Mike Kunkel
Dave Kupczyk (http://mubi.com/cast_members/144294)
Gay Lawrence (http://mubi.com/cast_members/209234)
John Lee
James Lopez (http://mubi.com/cast_members/356467)
William Lorencz (http://mubi.com/cast_members/357148)
Jerry Loveland
James J. Martin
Teresa Martin (http://mubi.com/cast_members/356550)
Kelly McGraw
Mike ‘Moe’ Merell (http://mubi.com/cast_members/357150)
Serge Michaels (http://mubi.com/cast_members/356469)
Dominique Monfery (http://mubi.com/cast_members/22757)
Borja Montoro
Don Moore (http://mubi.com/cast_members/210995)
Joaquim Royo Morales (http://mubi.com/cast_members/217301)
Jean Morel (http://mubi.com/cast_members/352154)
Dan O’Sullivan (http://mubi.com/cast_members/217311)
Joe Oh
Jamie Oliff (http://mubi.com/cast_members/357152)
Sergio Pablos (http://mubi.com/cast_members/113832)
Gilda Palinginis (http://mubi.com/cast_members/356471)
Patricia Palmer-Phillipson (http://mubi.com/cast_members/356472)
Pierre Pavloff (http://mubi.com/cast_members/357153)
Philip Phillipson (http://mubi.com/cast_members/356473)
Michael Polvani
Catherine Poulain (http://mubi.com/cast_members/357154)
Tina Price (http://mubi.com/cast_members/356731)
Mark Pudleiner (http://mubi.com/cast_members/357155)
Richard Purdum
Nik Ranieri (http://mubi.com/cast_members/229163)
Jeff Ranjo
William Recinos (http://mubi.com/cast_members/356554)
Leonard Robledo
Tom Roth
Stéphane Sainte-Foi (http://mubi.com/cast_members/357156)
Michael Show (http://mubi.com/cast_members/198787)
Steve Small
Marc Smith
Kevin Spruce
Colin Stimpson (http://mubi.com/cast_members/357157)
Michael Stocker
Mike Swofford (http://mubi.com/cast_members/356475)
Yoshimichi Tamura (http://mubi.com/cast_members/357158)
George Taylor (http://mubi.com/cast_members/357159)
Oskar Urretabizkaia (http://mubi.com/cast_members/198789)
Valerio Ventura (http://mubi.com/cast_members/209235)
Bill Waldman (http://mubi.com/cast_members/352173)
Eric Walls (http://mubi.com/cast_members/356558)
Andreas Wessel-Therhorn (http://mubi.com/cast_members/352175)
Rowland B. Wilson (http://mubi.com/cast_members/357160)
Theresa Wiseman
Anthony Ho Wong (http://mubi.com/cast_members/357161)
Ellen Woodbury (http://mubi.com/cast_members/198799)
Thomas Woodington (http://mubi.com/cast_members/356482)
David A. Zaboski (http://mubi.com/cast_members/356559)
Khosrow Haritash (http://mubi.com/cast_members/323927)
(Sorry about the poor quality. Couldn’t find any better image of him online)
Graveyard Series 1: Terror in the Crypt = Crypt of the Vampire
A Feast at Midnight = http://www.fortunecity.com/lavendar/polanski/399/ff-fm-07.jpg
Still suggestion for Untamed Frontier :
Also ; Leonard Goldstein and Ross Hunter should be added in PROD + Gerald Drayson Adams, John Bagni, Gwen Bagni, Polly James, Houston Branch and Eugenia Night in SCR + Charles P. Boyle in DP + Richard Garland, Robert Anderson, Ray Bennett and David Janssen in CAST + Virgil W. Vogel in ED + Bill Thomas in Costume Design + Hans J. Salter in MUSIC + Leslie I. Carey and Richard DeWeese in SOUND.
Country is United States + Format is Color + Language is English
Richard Bazley (http://mubi.com/cast_members/119049)
Having shown an interest in Animation from a very early age Richard went on to achieve his childhood ambition to work at Disney, not only as an Animator but as a Lead Animator on Disney’s “Hercules” (Amphitryon and Alcmene) working with The famed British Political Cartoonist Gerald Scarfe on some of the designs. He got his first job in animation on the Disney Blockbuster “Who Framed Roger Rabbit?” and got to work with Oscar Winner Animation Director Richard Williams, the artist whose work originally inspired him to get into the business. For the past decade he has worked as a Supervising Animator at three of the Major Animation Studios, Sullivan Bluth Studios, Walt Disney Feature Animation and Warner Bros. He is most well known in the industry for his work on the critically acclaimed “The Iron Giant” supervising three of it’s sequences. It was a project that he had a deep personal interest in as he had pitched his version of the same property over nine years ago to Don Bluth. He has also contributed to “Pocahontas” (John Smith), “Osmosis Jones” (Drix) and many more classic animated films. He also has a broad knowledgeable grounding in the arts having received a BA in Graphic Design.
Upon setting up Bazley Films (2000) he Produced and Directed an animated short entitled “The Journal of Edwin Carp” which features the voice talents of Hugh Laurie. It was executed in the computer program “Flash” features in “The Flash 5 Bible” (Reinhardt/Lentz) in which Bazley was a contributor and also “Flash-Cartoons and Games” in which he is a Co-Author Coriolis (2000). Richard appeared both on the BBC and ITV to talk about his film.
More recently Richard Directed the acclaimed Sky Commercial “Cool Cat” and is attached as Director to a variety of film projects including Robot Wars-The Movie based on the TV series and the Epic Trilogy “The Legend of the Purple Planet” written by Sabina Spencer (Author) and to be Produced by Gary Kurtz. —Official site
Marek Buchwald (http://mubi.com/cast_members/357137)
Born in Tashkent, Uzbekistan –Central Asia /foothills of The Himalayas, Marek Buchwald grew up absorbing the richness and aesthetic of the many cultures who left their mark on this Silk Roads marketplace, the beauty of ancient Islamic architecture and tilework and the color and old world craftsmanship of Uzbeki and Himalayan tribal peoples.
His first art teacher was his father, Chaim Buchwald, an artist and Holocaust survivor who supported his family painting stage sets for Tashkent opera productions and creating Soviet political art posters. By night Chaim painted portraits and landscapes.
His family returned to their homeland in Poland when Marek was a boy of 10, and later they emigrated to Montreal, Canada when he was a young teen. Marek had formal art training at Sir George Williams University in Montreal, Quebec.
After meeting his spiritual teacher in 1971, Marek traveled to India and studied traditional arts with some of the last living masters of these traditions in rural South India.
Since the 70s Marek Buchwald has produced hundreds of works of devotional art, primarily oil paintings and sculptural forms. These works are in collector’s homes throughout the world, in sacred temples both in India and the USA, in museum installations (Culver City, Museum of The Bhagavad Gita, is one) and in illustrated books including “The Bhagavad Gita” and the book of fine art reproductions “Krishna Art”.
For the past 20 years Marek has made his home in Southern California where he has made significant contributions to the feature animation film industry as a director and designer. He has worked with major studios including Disney, Dreamworks, as well as with many smaller studios and independent productions.
It is no exaggeration to say that, among his colleagues Marek is known and respected as an “artist’s artist”.
Currently Marek has several independent film projects in development, synthesizing his expertise in animation with his artistry and devotional heart. He has also returned to his first love, producing fine art…sculpture and painting. —Official site
Quentin Lawrence = director.
Delete Masters of Mayhem.
Gary Kurtz (http://mubi.com/cast_members/9532)
Sergio Pablos (http://mubi.com/cast_members/113832)
Hiromasa Yonebayashi (http://mubi.com/cast_members/146076)
Gary Kurtz (http://mubi.com/cast_members/9532)
Producer
“I could see where things were headed. The toy business began to drive the [Lucasfilm] empire. It’s a shame. They make three times as much on toys as they do on films. It’s natural to make decisions that protect the toy business, but that’s not the best thing for making quality films.”
Still for Full Grown Men
ExperimentoFilm
Hercules Unchained is the same film as Ultimate Hero.