What is (are) your favorite frame(s)?

Kenji just picked the cover artwork. Lots of thought went into that huh Kenji?

I apologize Kenji.

I’m an angry, angry man.

Would anyone object to me blowing this thread up with a bunch of screens i’ve taken from movies? I mean, it’s a lot. they’re great, i promise, but it’s a lot.

@AmericanWaterGummo — If you don’t like this thread, you don’t have to post anything. No one is forcing you to be here. Go start your own awesome thread. K?

L’Atalante (sorry if this has been posted already)

After careful consideration:

@Graveyard Poet – which films are those stills from?

I have many. Right now I’m thinking of this one.

@Takaawesome

Shadows of Forgotten Ancestors

Interested in seeing everyone else’s favorite frames.

Finisterrae

and for women who talk too much

322

Respice Finem

what a great topic!

Agreed

@GRAVEYA​RD POET: What films were the frames in your last 3 postings taken from. I am intrigued by them.

I bookended with my two favorite films. The other posts were 2.) favorites 3.) black-and-white 4.) horror

First Post:
Shadows of Forgotten Ancestors

2nd Post:
Solaris (Tarkovsky)
Paris, Texas
The Cranes Are Flying
Dersu Uzala
The Color of Pomegranates

3rd Post:
Sunrise
Pandora’s Box
Earth (Dovzhenko)
Shoot the Piano Player
Blast of Silence
Winter Light

4th Post:
Black Sunday
Black Sabbath
Blood and Black Lace
Kwaidan
The Texas Chainsaw Massacre (1974)

Final Post:
The Tree of Life

Journal d’un Curé de Campagne

@ Graveyard Poet

What movie is the shot of the person that is standing alone in the snow from?

http://uponobservingthis.files.wordpress.com/2011/07/kwaidan-snow-watchinghim.jpg

Kwaidan

Just shifted through this whole thing. Its been mentioned by Corduroy Suit about 3 years ago but I need to put Damnation in here again.

When it comes to cinematography & contemporary filmmakers Tarr is just untouchable.

The first image he told me about was of three children on a road, in Iceland, in 1965.

Sans Soleil, Chris Marker

…..one day I’ll have to put it all alone at the beginning of a film with a long piece of black leader; if they don’t see happiness in the picture, at least they’ll see the black.

Sans soleil indeed belongs in here. Recently bought a book of photographies by chris marker – the story he tells with them is mesmerizing

I Served the King of England