





(From Gus Van Sant’s My Own Private Idaho)
That last one’s my favorite. Oh, River.

Jules et Jim

Ran

Mother Joan of the Angels (Kawalerowicz)

Street of Shame (Mizoguchi), with the great Machiko Kyo
and here’s the final shot of Mizoguchi’s magnificent career:



(From The American Astronaut)

Cremaster 1 (Barney)
Rosemary’s Baby
The Passenger. As a film ever concluded so mysteriously?

And closer…

It’s a wonderful moment when you realise the camera is passing through the bars, an exhilarating freedom, in The Passenger.

At Five in the Afternoon (Samira Makhmalbaf)

i hope this is allowed and no rule being broken, double male nudity, er to be on the safe side i’ll just give the link after all- please advise if the image can be shown.
http://www.brightlightsfilm.com/56/56_images/56dvd1900%20whore4.jpg
Novecento/1900 (Bertolucci). Something of a collector’s item- De Niro and Depardieu both in hand; now how many people would believe the actress’s tale?
High and Low
How about that!?






(From Krzysztof Kieslowski’s La double vie de Véronique)
Meshes of the Afternoon
…and the classic shot from that masterful film…

Sweet it worked! Here are some more…. (the above is from Ordet by the way)
A Clockwork Orange
La Dolce Vita
Fanny and Alexander….but the shot after this one I CANT FIND THE ONE IM LOOKING FOR!

Stalker (1979)
Raiders of the Lost Ark (1981)
Ditto
Das Boot (1982)
E. T. The Extraterrestrial (1982)
Andrei Rublev (1966)
Bob Le Flambeur (1956)
Evil Dead 2: Dead By Dawn (1987)
Vampyr (1932)
Dog Day Afternoon (1975)
My apologies if frames have already been used-I haven’t looked over the entire topic.


steam engine from Jules et Jim
catherine madness

Looks like a painting doesnt it?. from Barry Lyndon

I love Kieslowski use of filters… from A Short Film About Killing

one more

Andrei Rublev … gorgeous… I hope the rain is visible

from Yi Yi



I love any frame with rain in it..
and then the classic
from those final moments in Le Feu Follet


Volver
that glorious stop-motion zoom from the 400 Blows




what a load of beauties you’ve all been coming up with. Filmy Andy very neat presentation, and good to see Samantha’s of Double Life of Veronique. I’d intended to put in the beautiful ending of Rublev with the horses myself. As for Maya Deren, Col.Dax, here’s one by her husband Alexander Hammid, and his 1930 film Aimless Walk, surely an influence on Meshes of the Afternoon they worked on together

Aimless Walk
Marissa C
Wow, this is an insanely difficult question to answer, I have so many, as I’m sure all of you do, so here are a few random ones I love…









Hour of the Wolf…
Picnic at Hanging Rock…
Mulholland Drive…
Suspiria…
Vertigo…
Nosferatu..
So many great images have already been posted, JP Belmondo, I love that shot from This Sporting Life, and Raw Deal Buffy, that Eternal Sunshine frame is unbelievably beautiful.