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Cezara's Favorite Auteurs

Displaying auteurs 1 - 20 of 30 in total
W120

David Lynch

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Alexis Dos Santos

“I’m attracted to stories about young people and youth culture in general. ”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

François Truffaut

“I have always preferred the reflection of the life to life itself.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Věra Chytilová

“I have no desire to cuddle my audience.”

 
W120

Peter Greenaway

“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”

 
W120

Jan Švankmajer

“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”

 
W120

Harmony Korine

“When I was a child the temptation to sin was always a romantic option. This romantic option lead me to the cinema, a place where sin was welcome.”

 
W120

Noah Baumbach

“If I had to sell Life Aquatic to a producer, well, I wouldn't say it's like an Éric Rohmer film under water.”

 
W120

Spike Jonze

“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”

 
W120

Michel Gondry

“Every great idea is on the verge of being stupid.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Jean-Pierre Jeunet

“I wanted to make a fake Paris, a Paris of dreams, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid the bad things: traffic jams, dog shit on the street, the rain.”