“Animation has traditionally used conventional figures, looking like Bolek and Lolek - flat men without shadows or space. And when someone starts - like I do - to use shadows (all of my 'drawn' lights and shadows were underlined with real lights or shadows), he is said to copy feature films. ... People generally think that animation is either flat kid cartoons or esoteric avant-garde. The truth is that animation does not copy 'the real cinema'. It is 'the real cinema'.”
“Rhythm cannot be explained completely by thought nor can thought be put in terms of rhythm, or converted or reproduced. They both find their connection and identity in common and universal human life, the life principle, from which they spring and upon which they can build further.”
“With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.”
“I keep going back to the Forties and Fifties for films, I go back to the Twenties and Thirties for music. For some reason I really like these films from the Forties and Fifties, whether they’re American, French, whatever… I can’t quite put my finger on it, “dark” is the best way I know to describe the quality that I like in them.”
“I would say that I really tend to conceptualize as much as possible, that I really go with some kind of preconceived vision, but then, on the other hand, I totally believe in the moment of shooting. ”
“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”
“For me, distance montage opens up the mysteries of the movement of the universe. I can feel how everything is made and put together; I can sense its rhythmic movement.”
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”
“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”