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Daniel's Favorite Auteurs

Displaying auteurs 1 - 20 of 30 in total
W120

Harmony Korine

“What I remember myself from films, and what I love about films, is specific scenes and characters.”

 
W120

Zeki Demirkubuz

“As a filmmaker, what attracts me most in human nature is its dark side.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”

 
W120

Andrea Arnold

“Dramatically, I like darkness, I like conflict - but I don't see the world as defined by them. And why would I pretend to? That's not who I am.”

 
W120

Gaspar Noé

“A lot of people cry at the end of the movie. Some people come out and smoke a cigarette. Some people go for a walk or a cigarette in the middle of the movie. Each person handles the movie as he wants...”

 
W120

Alejandro Jodorowsky

“Most directors make films with their eyes; I make films with my testicles.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
W120

Catherine Breillat

“When I shoot a film, I always project myself into one of the characters, at once into either a man or a woman...”

 
W120

Luchino Visconti

“I took a round trip around Hollywood because I think it frightened me. I didn’t want to get burned in that glare.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Derek Jarman

“I wouldn’t wish the eighties on anyone, it was the time when all that was rotten bubbled to the surface. If you were not at the receiving end of this mayhem you could be unaware of it.”

 
W120

Julio Medem

“I want my own experience with each film to be new, so I try to run away fully from the film I made before and make something completely different.”

 
W120

Volker Schlöndorff

“As soon as I see “based upon a true story” at the beginning of a film, I always I think that it must be full of lies. The difference is not really about whether the events happened or not. It’s that in the fictions, reality is already put into a certain shape, and this structure has always appealed to me throughout my career. I found it easier to move from there into a movie rather than being confronted with the total complexity of reality.”

 
W120

Fatih Akin

“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”

 
W120

Michelangelo Antonioni

“Hollywood is like being nowhere and talking to nobody about nothing.”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Jane Campion

“What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.”