"I have a long-standing interest in mental illness. I have friends who suffer from it. I think it’s a devastating illness, not only mentally, psychologically, emotionally, but also economically. I think it isolates people tremendously, and again, I want to try and engender some empathy for people who suffer."
“Theatre is interesting as a catharsis for actors because it's the only way you can be idiotic and get away with it. I really, really don't like theatre and I feel so far from it.”
“I refer to my work as being cinematographic poetry and that’s why I love that layering, those superimpositions, right from the beginning of my filmic work.”
“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”
“If I manage to make people laugh with my films and their laughter gets stuck in their throat in the next moment, if I succeed in doing that, then that makes me happy.”
“In real life, there’s no stories. Everything is unending, confusing. Nothing starts and concludes. There’s no beginning, middle and end in the actual experience of our lives, and we want this kind of neat little package, and we make them for ourselves in our stories.”
“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”
“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”
“I get up late after editing ‘til dawn, soil some kitchenware, feed the cats and then go out for exercise so that my mid section doesn’t expand so much when I sit down at the editing bench once again.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”