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Miana's Favorite Auteurs

Displaying all 16 auteurs
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Robert Altman

“Filmmaking is a chance to live many lifetimes.”

 
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Fruit Chan

“My films are energetic, even when they are sad. They have emotions, feelings.”

 
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Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
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Pedro Almodóvar

“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”

 
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Jia Zhangke

“I believe that it doesn't really matter how large an audience my film gets; as long as my films can be shown in China, and there can be any kind of real market for them here, that would be hugely significant for me personally.”

 
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Ken Loach

“A movie isn't a political movement, a party or even an article. It's just a film. At best it can add its voice to public outrage.”

 
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Richard Linklater

“I've always liked the minds of criminals, they seem similar to artists. ”

 
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Tsui Hark

“It may seem like the martial arts world has always been dominated by male characters. But that's only the physical difference. My idea is to create an impact when you see a woman fighter fighting with all the might of a man.”

 
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Michael Winterbottom

“Each scene should feel right, should be true at that moment, and gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that’s interesting.”

 
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Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
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Michelangelo Antonioni

“Hollywood is like being nowhere and talking to nobody about nothing.”

 
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Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
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Sidney Lumet

“All great work is preparing yourself for the accident to happen.”

 
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Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
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Walter Salles

“The necessity to conceptualize has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along.”

 
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Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”