MUBI brings you a great new film every day.  Start your 7-day free trial today!
Watch a new film every day for $4.99.
Try MUBI for FREE.
 

Gabriel's Favorite Auteurs, Page 4

Displaying auteurs 61 - 80 of 97 in total
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Sergio Leone

“In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life in jeeps and upset all my dreams.”

 
W120

Denys Arcand

“From my point of view, I’m always the same guy and I make the films the same way from the same budget, often with the same crew. I take all my films seriously and work so hard on them, and then they heap abuse on me. Why? I’m the same person.”

 
W120

Pierre Perrault

“My films are not political. They are tools of reflection, the materials needed to know ourselves.”

 
W120

Gilles Carle

“Don’t go thinking that censorship is less of an issue when it ceases to be abusive. In itself, censorship is an abuse.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Danny Boyle

“There's a certain truth that you do end up making the same film again and again so if you vary the genre you have a chance of breaking that cycle.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Giuseppe Tornatore

“From the moment I enter the movie theater and the lights go out and the first images come up on the screen, I’m very happy about the fact that that film exists and I feel a great warmth toward it – even if, in the end, it turns out that it’s not a particularly good film.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Tom Tykwer

“You have to be clear about the characters in the beginning and then you just go for it, but in Winter Sleepers it was really a different approach. You get to know somebody, then maybe at first sight you don't like him. In real life that very often happens”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Ethan Coen

“We create monsters and then we can't control them. ”

 
W120

Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
W120

Steve McQueen

“My influences come from real life. I’m not interested in cinema for cinema’s sake. I’m interested in life—what one does and how one interacts.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Peter Greenaway

“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”