Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Peter's Favorite Auteurs

Displaying all 13 auteurs
W120

Otto Preminger

[Giving direction to a group of children on Exodus (1960)] "Cry, you little monsters!"

 
W120

Wim Wenders

“Any movie that has that spirit and says things can be changed is worth making. ”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

John Huston

“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on.”

 
W120

Jean-Pierre Jeunet

“I wanted to make a fake Paris, a Paris of dreams, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid the bad things: traffic jams, dog shit on the street, the rain.”

 
W120

Terry Gilliam

“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”

 
W120

Jean Cocteau

“Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail. ”

 
W120

Jean-Luc Godard

“A story should have a beginning, a middle, and an end... but not necessarily in that order. ”

 
W120

Quentin Tarantino

“I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

David Lynch

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”