“The composer is like an actress who is very beautiful but may not be a great actress. A good director can make her a great actress – and a big star! So, like that I am expecting a good filmmaker to make me a good film composer!”
“Artificial light is simple. It is a specific color temperature and feel. But, natural light is complex and sometimes chaotic. A bounce from the floor or a reflection from the sky can do so much.”
“Well, for one thing, I like being a supporting actress. I like to come and go in the film. The interesting characters are very few if you want to be the lead, and they depend on you being beautiful. Since I'm not interested in those parts, the pressure's off, in a way. I'm not cast for my physicality. I find that playing so many characters in so many films is a way to be in the moment.”
“I am a cinematographer. I’ve never had any ambition to become a director. A film is not one individual’s method of personal expression but a matter of teamwork, a cooperative venture.”
“It is precisely as if I am possessed by some other spirit when I enter on a new task of acting, as though something within me presses a switch and my own consciousness merges into some other, greater, more vital being.”
“I don't look like someone who leans on a mantelpiece with a cocktail in my hand, you know. I look like the kind of guy who has a bottle of beer in my hand.”
“I’ve worked with the biggest tyrants: Preminger, Welles, Visconti. Despots – they have contempt for most actors. When they meet someone who stands up to them, everything’s great.”
“I don't know if there's something in the Japanese spirit that drives that, but as a culture, I know, we're very respectful of artists--more so than in America, or so I've been led to believe.”
“I was lucky enough to make four pictures with Barbara [Stanwyck]. In the first I turned her in, in the second I killed her, in the third I left her for another woman, and in the fourth I pushed her over a waterfall. The one thing all these pictures had in common was that I fell in love with Barbara Stanwyck - and I did, too.”
“In the Hollywood of the 1960s, everyone started on the same level: ground zero. Didn’t matter if you were a graduate from New York University or a refugee from Hungary.”
“You’re willing to take a plunge from any height. There’s just something about being in front of the camera. And being in front of an audience is the same thing. It’s hopeless. I guess I’m just a ham.”
“One side of my face is gentle and kind, incapable of anything but love of my fellow man. The other side, the other profile, is cruel and predatory and evil, incapable of anything but the lusts and dark passions. It all depends on which side of my face is turned toward you--or the camera. It all depends on which side faces the moon at the ebb of the tide.”