“Things are being simplified a lot for us lately. I think people are hungry for something that shows more respect for the complexity of life, the depth, the grey areas.”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“Perhaps it makes sense that a woman whose earliest memory was on the set of Apocalypse Now would grow up to direct a dark fable about five adolescent girls who unapologetically and unceremoniously kill themselves...”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
[on the making of Summer Wars] “I didn’t just want there to be a bad guy who was outside the family. Some family members cause enough trouble on their own. I wasn’t being political, just contrasting domestic and global issues, and the convergence of problems within the family. I mean, if our ‘family’ can’t deal with the problems it already has, how can it deal with the problems of the world around it?”
“I believe that the amount of music used in animation is similar to that used in live action films. In many movies, music can sometimes communicate something that the picture cannot and therefore can play a very important part.”
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”