“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”
“I was the leader of the Taiwanese new wave. All these guys would just gather in my house, talking and laughing and drinking: Hou Hsiao-hsien, Wu Nien-jen — just about all of them. You could just push open the door. Everyone just wanted to do similar things. We weren’t allowed to, and no one was willing to give us any money to, but we shared all these idealistic thoughts.”
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“I distrust reason and culture. In our thoughts there are images that appear suddenly, without us pondering them. In all my films, even the most conventional ones, is the tendency to irrational conduct that can not be explained logically.”
“I use it [hand-held-camera] in order to enable actors to move around freely because I want them to be truthful at all times and that means they should be able to move and not be bound by a fixed camera position. I think if it's used for style it's a mistake. It's there to do something very specific.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”
“If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.”
“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”