“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”
“This whole business of words – the whole sense of tense and complicated problems about knowledge, about making things in relation to all the things that were already made with words – seems to have fallen into film.”
“When you have to live with something for so many years, the film becomes indistinguishable from what you think of as your life. I’m sure there’s a danger to that. But there are also great things that can come from that.”
"I have a long-standing interest in mental illness. I have friends who suffer from it. I think it’s a devastating illness, not only mentally, psychologically, emotionally, but also economically. I think it isolates people tremendously, and again, I want to try and engender some empathy for people who suffer."
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”
“We keep our feelings or emotions to ourselves and keep pushing it down, until one day, it explodes and that's what causes problems. I had feelings I hadn't released for the past 30 years so I did it through film.”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“I've always felt more politically comfortable making films that demonstrated problems and didn't tell you how to solve them, but made you feel enough for the subjects who were hurt by these problems...”
“What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.”