“When you see Filipino films in general they are devoid of humour. I guess it’s reflective of the effects of history and we try to laugh everything off but deep down inside it’s a history of sadness.”
“I don’t start with a philosophical or thematical approach. Instead I often start with a genre that’s relatively easy to understand and then explore how I want to work in that genre.”
“Try to remember one thing, which counts the most: it is not the real, nor even the relationship with the real; it is only the line and the way of drawing.”
“You look at the industry; they’re distorting everything, its very escapist. It’s all about vanity, about making money, about seeking fame and fortune.”