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Conquest of Gaul's Favorite Auteurs

Displaying auteurs 1 - 20 of 158 in total
W120

Nicholas Ray

“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”

 
W120

Umberto Lenzi

“For me the characters were more important than the murders.”

 
W120

Rouben Mamoulian

“Color, like all power, can be harmful and destructive when used badly, life-giving and creative when used well. Animals and human beings have been and are unconsciously subject to a strange hypnotic influence of color. How many times have you walked into a strange house and felt depressed because of the color of the wall-paper! How many times have you found consolation in the rich riot of shades of a gorgeous sunset?”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Peter Weir

“There’s almost a fear that if you understood too deeply the way you arrived at choices, you could become self-conscious. In any case, many ideas which are full of personal meaning seem rather banal when you put words to them.”

 
W120

John Hough

“ITC (Incorporated Television Company) was a very special place to work in. And the people cared. Instead of asking you to do it quicker and with less quality, they'd push you to excel yourself. It was creative and interesting, but very disciplined. It was like Michelangelo painting the Sistine Chapel on a nine-to-five contract.”

 
W120

Peter Bogdanovich

“It's a misconception about acting that it's a practice in pretending to be someone else. It's actually a practice in finding the character within yourself.”

 
W120

Jack Hill

“I liked the Warner Bros. movies of the forties. That’s my main influence. The noirs and the gangster films.”

 
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Jean Cocteau

“Emotion resulting from a work of art is only of value when it is not obtained by sentimental blackmail. ”

 
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Robert Mulligan

“The rhythm and pacing of his films are not of this time.” [Sidney Levin, Editor]