“There is probably no moment in picturemaking that is more acutely essential to a director’s success than the instant of his choice of story material. For the director, that is the moment of conception.”
“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”
“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“A film is alive. You shouldn’t stifle it. You should never over art-direct, over conceive, over research, or walk in with an exact idea of how things should be done.”
“Living is strife and torment, disappointment and love and sacrifice, golden sunsets and black storms. I said that some time ago, and today I do not think I would add one word.”
“In the last few years, the progress we’ve made is that people have begun to accept that you can’t cop out with pictures—that you have to really be sincere about what you’re doing.”
“The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.”
“Lorenzo's Oil or the Babe films or Mad Max or indeed Happy Feet, I think probably they have two things in common. One is very conscious, which is to tell the best story you can, and the second one is that I Like telling stories that basically follow the hero myth.”