The most outstanding cinematography I've seen this year/ also some exceptionally lyrical acting - don't know what you were watching, Corriel? - from the great Jacques Nolot, the director himself, an unknown (to me) called Christian Lila-Darmezin; and a rare quality, especially in costume dramas, which is something like urgency. Five star recommendation (and if I was a filmmmaker I'd pawn my house for Irina Lubtchansky behind the camera).

It's not a colour film, how come the still's in colour?!