“Family entertainment is really very necessary in our culture. Look how profitable they are. It's almost not discretionary. You need to take your family to the movies.”
“The relationship between the moment of truth that you capture and the moment of truth that the spectator captures is incredible. This is what I consider the godliness of communication.”
“Being a human being is all about experiencing all of the wonders of the world and therefore as an actress, I'm open to any opportunity that may enrich my horizon.”
“A good story is a construction. You take the elements that bring a situation forward, and develop it up so that the audience feel something. But a really good story stands out, when the construction is neither seen nor felt. This is what I struggle every day to achieve, to throw sand over my tracks, let the structure disappear in the background.”
“The Dogma Manifesto was a wonderful opportunity to be a team, to unite the country’s filmmakers. But we’ve all sought out other paths, we distanced ourselves from a movement that was becoming a brand, and would have ended up limiting our creativity.”
“Most people have one independent film in them, because it’s so hard. And then they’re like, “Thank God I made it through. Now I’m gonna go make studio movies.” Then they keep waiting for studio movies to be made. The thing is, I am willing to hang lights and suffer and keep doing it over and over again because I kind of like it. It’s the same thing that makes you want to go camping. You get into it.”
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“After watching what happened for 20 years with the ratings board and all the criticism from critics, filmmakers, even people around the country, and nothing changing at all, I felt it was really time to set out to make a film.”