“By definition cinema is rhythm and movement, gesture and continuity. In everything we see we have to consider three aspects: the position of the eye that is watching, the position of the object being watched and the light that illuminates reality. This way, cinema does not have the sole function of opening a hole in a wall to see, because its mission is greater: to be a window to the world.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“You must put the odor of the human body into images...describe for me the implacable, the egoistic, the sensual, the cruel...there are nothing but disgusting people in this world.”
“Because various projects fell through I said, Oh, fuck this, I can’t stand this, waiting on other people’s money and for this person to like it and that person to like it and the other person to jump on board. I’m going to do something I can do at home by myself that’s going to cost me 25 cents and to hell with the big production that’ll never get made.”
“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”
“The task of cinema or any other art form is not to translate hidden messages of the unconscious soul into art but to experiment with the effects contemporary technical devices have on nerves, minds, or souls.”
“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”
“Perlov brought to Israeli film the tradition of the documentary cinema, fusing theory and practice. His greatness was in the fact that his work was at the same time personal and public, revealing and mysterious, intimate and all embracing, as all great art is” — Uri Klein
“In Lithuania, I am known as a poet, and they don’t care about my cinema. In Europe they don’t know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick!”