“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”
“Do I believe in the supernatural? Oh yes, certainly. I can’t believe, I can’t accept that you die and that’s the end. Physically maybe it is a fact. But there’s something about the mind that’s more than that.”
“I distrust reason and culture. In our thoughts there are images that appear suddenly, without us pondering them. In all my films, even the most conventional ones, is the tendency to irrational conduct that can not be explained logically.”
“I was knocking myself out to make this stuff. And I always assumed that people would see this and have pity and give me a little support. [shouts] They didn’t!”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“A lot of people back then didn't understand that the jokes were intentional--now everyone is laughing, nobody doubts that it’s intentional, but back then, it was so new that some people thought it just happened to be unintentional.”
“Artists often pay a big price for their autonomy...No health insurance, no retirement, often no financial reward. But I like to pretend that I am a cog in the real world, no more or less important than a good carpenter, or an honest politician. That attitude makes me get up in the morning and go to work in the studio.”