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ERHAN's Favorite Auteurs

Displaying auteurs 1 - 20 of 51 in total
W120

William Klein

“The kinetic quality of New York, the kids, dirt, madness—I tried to find a photographic style that would come close to it.”

 
W120

Ousmane Sembène

“I am really unable to talk about my life – I don’t know my life. I’ve travelled a lot and this is the life that I have lived, but that doesn’t mean that I know myself.”

 
W120

Johnnie To

“Hollywood can't do this. But we can: we can change things whenever we want.”

 
W120

Peter Hutton

“Practice, practice, practice and the camera becomes your eye and not so much this complicated technological thing to mediate to get an image.”

 
W120

Raúl Ruiz

“If you can make it complicated, why make it simple?”

 
W120

John Cassavetes

“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”

 
W120

Blake Edwards

“Make 'em redecorate your office. That's primary, to let them know where you stand. Then, when you're shooting interior sequences, use your own interior decorator and set dresser. That way everything on the set will fit your house when you're finished.”

 
W120

Chantal Akerman

“When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.”

 
W120

Agnès Jaoui

“For us, the main theme of “Let It Rain” was how all these people, with their different subjects and problems, the common agent is that they all feel the victim of something and they all need to be recognized in their pain. People say, ‘I suffered, I suffered,’ sometimes forgetting others are suffering too.”

 
W120

Anatole Litvak

“If I shoot one take of a scene, I am Eason! If I shoot 100 takes of a scene, I am Litvak!”

 
W120

Nuri Bilge Ceylan

“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”

 
W120

Fatih Akin

“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”

 
W120

Zeki Demirkubuz

“As a filmmaker, what attracts me most in human nature is its dark side.”

 
W120

Carlos Saura

“...my work has a coherence within its incoherence because I've decided to work with elements that I know to the core, to work with characters and settings I've lived with.”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
W120

Volker Schlöndorff

“As soon as I see “based upon a true story” at the beginning of a film, I always I think that it must be full of lies. The difference is not really about whether the events happened or not. It’s that in the fictions, reality is already put into a certain shape, and this structure has always appealed to me throughout my career. I found it easier to move from there into a movie rather than being confronted with the total complexity of reality.”

 
W120

Hirokazu Kore-eda

“I wanted to create a big lie, meaning the opposite of the documentary-style, naturalist, contemporary films I've been doing.... So far I've tried to use naturalism to search for reality, but now I will try total fiction to search for that reality. ”