“Never allow oneself to remain the same – like a river, always renew yourself. I’m always wondering about the paths that would open animation to become a real dramatic art.”
“Is whether they get married in the end really all you want to know? Look, really, there is no film that ends badly, and the audience enters into happiness at the hour appointed on the program.”
“There was one thing I detested more than anything, and that was money; first of all, because I was bankrupt; then, because I had been seeing so many examples all around me where money had played a fatal role.”
“I play a cultural role as filmmaker. What interests me is to research films about African history, because our history has been written by others, not by us.”
“I was embarrassed for years to let anyone know I had won an Academy Award for The Connection. That wasn’t really a prize I wanted to win. I was happy to say that The Connection got a prize at Cannes. I was happy to say that The Cool World was the first independent film to play in Venice.”
“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”
“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”