“It used to be that if you made a good film that really worked on a lot of levels, that was the most important thing. Now you've got to sell people with a sound bite. There's no time for people to discover movies anymore.”
“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”
“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”
“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”
“People have asked me a million times, "Why don't you like your own pictures?" I don't know why. I do know that every time I look at one of them, I realize I could have done it better.”
“I will always think of myself as a Hollywood director, not only because I grew up in the American film industry, but also because I believe in making films that will please a mass audience, and not just in making films that express my own personality or ideas. I have always tried to offer an audience something positive in a film and to entertain them as well.”
“My films are not policiers, or thrillers, but instead aim to provoke, to insinuate doubts, to challenge the official statements and certainties from the powers that be which hide real interests and the truth.”
“I think it's actually very tough out there for Australian films. If you think of the Australian film awards, say, 15 years ago, we were voting for... you know, we'd see 24, 25 major feature films that we'd be voting for best picture. I think now it's something more like eight.”
“In an era of breadlines, depression and wars, I tried to help people get away from all the misery…to turn their minds to something else. I wanted to make people happy, if only for an hour.”
“We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.”
“I have sought that lost grace in the film-making process, where the material things of the world – money, buildings, sets, plastic, metal, people – disappear into a camera and become nothing but light and shadow flickering on a wall: matter into spirit, the alchemists would say.”