“To me, an action movie must have funny parts. Until then, kung fu movies always ended with a killing, a big slaughter. I said that I won’t do that. In my opinion, it is not necessary to destroy the villain to make the audience happy. A dyed-in-the-wool scoundrel who repented and found the righteous way could be just as good.”
“I look at myself as an entertainer, more than anything else. I wanted to make the movie a little more different than the previous films… That was less about me growing as a craftsman. That was more about me trying to provide an element to the audience that I thought they might need something different, that came from a different place.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”
“Despite the fact that I love story, character and dialogue, when I isolate the primary elements of film I find photography, movement and sound recording — in that order. Only then do I consider dramatic action. Film is essentially graphic for me.”
“...in America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. Not to say that it's all bad, but it leaves a lot of the rest of us out of it. To me cinema can be a much more friendly world if there's a lot of things to choose from.”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”
“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”
“I feel most akin as an artist, in my life and my career, to Agatha Christie. I get where she was coming from, making 80 stories about a point of view. I want at the end of the day to have 50 or 60 stories that came out of my head. Some will hit the mainstream and some won’t, but they’ll all be about human beings, and the analysis of human beings. So she’s my hero.”