Your film seems to be concerned with the relationship between static and moving images. The shots are composed with a unique stillness to them, letting the characters move throughout the frame and pause, at times becoming painterly, but with a specifically cinematic quality. I don’t know if you have seen “The Headless Woman” but “Revanche” seemed the opposite of that. With The Headless Woman there are close-ups and intense moments of inner-consciousness, whereas in Revanche, it is filled with moments of acute objectivity.
So the question is, basically, what is the film’s relationship to reality?
Submit questions to REVANCHE director Götz Spielmann about 4 years ago
Question:
Your film seems to be concerned with the relationship between static and moving images. The shots are composed with a unique stillness to them, letting the characters move throughout the frame and pause, at times becoming painterly, but with a specifically cinematic quality. I don’t know if you have seen “The Headless Woman” but “Revanche” seemed the opposite of that. With The Headless Woman there are close-ups and intense moments of inner-consciousness, whereas in Revanche, it is filled with moments of acute objectivity.
So the question is, basically, what is the film’s relationship to reality?
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