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Submit questions to REVANCHE director Götz Spielmann about 4 years ago
Your film seems to be concerned with the relationship between static and moving images. The shots are composed with a unique stillness to them, letting the characters move throughout the frame and pause, at times becoming painterly, but with a specifically cinematic quality. I don’t know if you have seen “The Headless Woman” but “Revanche” seemed the opposite of that. With The Headless Woman there are close-ups and intense moments of inner-consciousness, whereas in Revanche, it is filled with moments of acute objectivity.
So the question is, basically, what is the film’s relationship to reality?