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Cinema Becomes Her's Favorite Auteurs, Page 7

Displaying auteurs 121 - 140 of 148 in total
W120

Frank Borzage

“Make the audience sentimental instead of the player. Make the audience act.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Georges Méliès

“We sat with our mouths open, without speaking, filled with amazement.”

 
W120

Sadie Benning

“My dad said to me, 'You know, I'm really worried that all your work is just going to be on one subject.' And I was like, 'Yeah, my life.' He makes [experimental] films. What are his films about? They're about his life. It just so happens that his sexuality isn't something that people are going to label or talk about or say, 'He's the heterosexual artist.'”

 
W120

Diane Kurys

““Entre Nous” was a way of reconciling my parents, however briefly, on screen. I put them back together in the film, to realize the dream I had as a child that they would be living together. I had to prove it was not my fault they divorced. I had to prove that the premises of the marriage were wrong.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

John Huston

“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on.”

 
W120

Jacques Demy

"He has an idea of the world he is trying to apply to the cinema or else… an idea of cinema which he applies to the world." —Jean-Luc Godard

 
W120

Michael Powell

“I’m not a director with a personal style, I am simply cinema. I have grown up with and through the cinema...”

 
W120

Howard Hawks

“I'm a storyteller—that's the chief function of a director. And they're moving pictures, let's make 'em move!”

 
W120

Maurice Pialat

“What I try to do, with the actors' consent, is to create something by beginning with a set situation that we can deviate from in the course of the shoot. ”

 
W120

Brian De Palma

“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Elaine May

“The only thing experience teaches you is what you can't do. When you start, you think you can do anything. And then you start to get a little tired.”

 
W120

Isabel Coixet

“Women blame themselves for everything that is wrong, and men never do that. We have to stop blaming ourselves for what we don’t have and start asking for what we deserve, whether it’s more money or more work or whatever.”