“My dad said to me, 'You know, I'm really worried that all your work is just going to be on one subject.' And I was like, 'Yeah, my life.' He makes [experimental] films. What are his films about? They're about his life. It just so happens that his sexuality isn't something that people are going to label or talk about or say, 'He's the heterosexual artist.'”
““Entre Nous” was a way of reconciling my parents, however briefly, on screen. I put them back together in the film, to realize the dream I had as a child that they would be living together. I had to prove it was not my fault they divorced. I had to prove that the premises of the marriage were wrong.”
“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on.”
“What I try to do, with the actors' consent, is to create something by beginning with a set situation that we can deviate from in the course of the shoot. ”
“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“Women blame themselves for everything that is wrong, and men never do that. We have to stop blaming ourselves for what we don’t have and start asking for what we deserve, whether it’s more money or more work or whatever.”