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The Mighty's Favorite Auteurs

Displaying auteurs 1 - 20 of 39 in total
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Nikolaus Geyrhalter

“I also regard my films as archival material, which people will dig out in 50 or 100 years, watch, and think, ‘They already did it like that back then,’ or ‘They were still doing it like that.'”

 
W120

Emir Kusturica

“What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in…”

 
W120

George Lucas

“If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.”

 
W120

Pedro Almodóvar

“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”

 
W120

Jan Kounen

“In France, a director has the final cut by law. In Hollywood it is very difficult to have a certain respect when you are doing the film. I prefer to do small things in Europe and have a cool life.”

 
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Spike Lee

“I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.”

 
W120

Spike Jonze

“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Ridley Scott

“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”

 
W120

Darren Aronofsky

“To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.”

 
W120

Brian De Palma

“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Mathieu Kassovitz

“I have a hard enough time speaking for myself - I don't pretend I can be a spokesman for anybody. I have no interest in playing that role.”

 
W120

Thomas Vinterberg

“The Dogma Manifesto was a wonderful opportunity to be a team, to unite the country’s filmmakers. But we’ve all sought out other paths, we distanced ourselves from a movement that was becoming a brand, and would have ended up limiting our creativity.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Nicolas Winding Refn

“Art is an act of violence.”