“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”
“If it happens that people respond to your work in your lifetime, well, you’re very lucky. In some way it gives you permission to go on making movies. But if you don’t get the applause, well, there are other things. I mean, after all, there’s your life to live.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“Cinema never saved anyone's life, it is not a medicine that will save anyone's life. It is only an aspirin.
There are a few directors that I really loved who made like five, six great movies, but are still shooting and they're not good anymore.”
“Dialogue is something I really enjoy; in some ways I feel like I enjoy it too much and that's one thing I've been trying to work on as a writer, not saying everything with dialogue and trying to pull back on it.”
“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”
“Every film I've done has been a Western. The Western is ultimately a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control and social alleviation of the problem, and I like to do that even within contemporary stories.”
“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”
“I have sought that lost grace in the film-making process, where the material things of the world – money, buildings, sets, plastic, metal, people – disappear into a camera and become nothing but light and shadow flickering on a wall: matter into spirit, the alchemists would say.”