MUBI brings you a great new film every day.  Start your 7-day free trial today!
Watch a new film every day for $4.99.
Try MUBI for FREE.
 

Rouzbeh's Favorite Auteurs, Page 4

Displaying auteurs 61 - 80 of 325 in total
W120

Yevgeny Yufit

“The development of technologies is not a particularly positive thing for human existence”

 
W120

Buster Keaton

“I don't act anyway. The stuff is all injected as we go along. My pictures are made without script or written directions of any kind.”

 
W120

Ousmane Sembène

“I am really unable to talk about my life – I don’t know my life. I’ve travelled a lot and this is the life that I have lived, but that doesn’t mean that I know myself.”

 
W120

Kim Ki-young

“I just make films by following my heart, so the analysis I leave to all of you.”

 
W120

Masaki Kobayashi

“In any era, I am critical of authoritarian power.”

 
W120

Hong Sang-soo

“When I finish a film, I feel like I have overcome a certain hurdle. It's really good for me as a human being, and I hope that for some people, my films will do the same thing.”

 
W120

Mrinal Sen

“Not many, but happily quite a few of my films have satirical kicks, because it is a tremendous force…not just in literature and drama, but indeed in cinema as well. Think of Chaplin, he’s a master.”

 
W120

Djibril Diop Mambéty

“The word griot... is the word for what I do and the role that the filmmaker has in society...the griot is a messenger of one's time, a visionary and the creator of the future.”

 
W120

Pedro Costa

“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”

 
W120

Jang Sun-woo

“When I ask questions in my films regarding traditionally oriented ways of thinking, some people can appreciate them, some others can criticize them; either way the important thing is to provoke discussion and even controversy.”

 
W120

Idrissa Ouedraogo

“My being black does not necessarily mean that I have read neither Kant nor Molière…”

 
W120

Hirokazu Kore-eda

“I wanted to create a big lie, meaning the opposite of the documentary-style, naturalist, contemporary films I've been doing.... So far I've tried to use naturalism to search for reality, but now I will try total fiction to search for that reality. ”

 
W120

Lee Chang-dong

“There’s no question that ‘Green Fish’ and ‘Peppermint Candy’ draw on the political and economic problems of Korea. But they weren’t my main focus. My main interest has always been human beings. I believe film is the best medium to show something about human beings.”

 
W120

Frederick Wiseman

“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”

 
W120

Edward Yang

“I was the leader of the Taiwanese new wave. All these guys would just gather in my house, talking and laughing and drinking: Hou Hsiao-hsien, Wu Nien-jen — just about all of them. You could just push open the door. Everyone just wanted to do similar things. We weren’t allowed to, and no one was willing to give us any money to, but we shared all these idealistic thoughts.”