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Matt's Favorite Auteurs

Displaying auteurs 1 - 20 of 87 in total
W120

Neil Jordan

“My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end. ”

 
W120

Robert Bresson

“Make visible what, without you, might perhaps never have been seen.”

 
W120

John Carpenter

“In France, I'm an auteur; in Germany, a filmmaker; in Britain, a genre film director; and, in the USA, a bum.”

 
W120

Roger Corman

“In science-fiction films the monster should always be bigger than the leading lady.”

 
W120

Jacques Tourneur

“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”

 
W120

James Whale

“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”

 
W120

Kim Ji-woon

“I don’t know yet which genre I’m best at so I have to try lots of different ones! I don’t want to repeat a genre that I’ve already done because working with a variety of styles inspires me and gives me more cinematic energy.”

 
W120

Jan Švankmajer

“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”

 
W120

Carl Theodor Dreyer

“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”

 
W120

Tod Browning

“The thing you have to be most careful of in a mystery story, is not to let it verge on the comic. If a thing gets too gruesome and too horrible, it gets beyond the limits of the average imagination and the audience laughs. It may sound incongruous, but mystery must be made plausible.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Yuriy Norshteyn

“Never allow oneself to remain the same – like a river, always renew yourself. I’m always wondering about the paths that would open animation to become a real dramatic art.”

 
W120

Léos Carax

“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”

 
W120

Jean-Pierre Melville

“I believe that you must be madly in love with cinema to create films. You also need a huge cinematic baggage.”

 
W120

Chris Marker

“Rarely has reality needed so much to be imagined.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Alejandro González Iñárritu

“(On why did he not record an audio commentary for 21 Grams) I don't like them. I feel that if you have to explain something it loses strength. It's like a magician trying to explain his magic, in a way.”

 
W120

Park Chan-wook

“The audience seems hazy to me, shrouded in a veil through which I can't see.”

 
W120

Bong Joon-ho

“Human beings basically express their feelings in the same way. They feel the same feelings. If you look at two foreigners talking to each other, you soon can see if they are fighting, or are in love.”