“My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end. ”
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything
must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”
“Hollywood is just too marvelous. One feels the footprints of all the immortals are here, but has a terrible feeling that they are in sand and won’t last when civilization comes this way.”
“I don’t know yet which genre I’m best at so I have to try lots of different ones! I don’t want to repeat a genre that I’ve already done because working with a variety of styles inspires me and gives me more cinematic energy.”
“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”
“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”
“The thing you have to be most careful of in a mystery story, is not to let it verge on the comic. If a thing gets too gruesome and too horrible, it gets beyond the limits of the average imagination and the audience laughs. It may sound incongruous, but mystery must be made plausible.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“Never allow oneself to remain the same – like a river, always renew yourself. I’m always wondering about the paths that would open animation to become a real dramatic art.”
“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”
“(On why did he not record an audio commentary for 21 Grams) I don't like them. I feel that if you have to explain something it loses strength. It's like a magician trying to explain his magic, in a way.”
“Human beings basically express their feelings in the same way. They feel the same feelings. If you look at two foreigners talking to each other, you soon can see if they are fighting, or are in love.”