“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”
“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”
““Araya” is part of a triptych that would form a larger feature film depicting life in three areas of Venezuela: the Andes mountains, the plains and the coast. But for the coastal segment, I didn’t want to show a stereotypical “exotic” landscape, lush with palm trees. Our search led us to the arid Arayan peninsula.”