Possibly my favorite coming-of-age film of all time.

The biggest question running through my head after this movie was whether or not it was more epic than awesome or more awesome than epic. I eventually decided on "epically awesome."

I don't care what anyone says, this movie made me laugh.

Cute. Pretty forgettable, though.

I'm currently attempting to straighten my mind from the massive bending that this film did to it.

Very interesting film. I liked the acting a lot, especially from Jonah Hill and Marisa Tomei, and the writing was subtle and dramatically funny, if that's a thing. The Duplass Brothers should have gotten a different DP for this one, though.

The finest piece of cinematic brilliance ever laid before the motion picture screen.

Now here's a film that achieves what it sets out to accomplish. This is a well-acted and well-written biopic of Émile Zola that succeeds in retelling the infamous Dreyfus Affair.

Simply a hackneyed excuse to have sound in a film. No more. No less.

What a terribly written, badly acted, and ironically racist movie. This won Best Picture... how?

This and Rushmore are Bill Murray's best attempts at any possible type of foray into dramatic acting (which is not meant to disparage his comedic acting at all, that's obviously great stuff).

A close contender for my favorite film of all time. You can literally spend an entire afternoon just going through it shot by shot and analyzing it on an artistic/intellectual level (which I've done haha).

I am baffled why nobody ever talks about this film. It's my personal favorite Gus Van Sant film, although its primarily great because of its darkly-hilarious screenplay by Buck Henry (one of my favorite screenwrights). I also have to mention that this is one of the few times that Nicole Kidman didn't annoy me, in fact she was fantastic in it. Fantastic all-round!

He did it! He got him to the Greek! God, I love twist endings.

Quirky, funny, subtle, this is defintely Jarmusch's best. Its mise-en-scène alone is enough to make you love this film, bolstered by fantastic cinematography by Tom DiCillo.

I really should re-watch this, because it was without a doubt one of the (surprisingly) nicest cinematic experiences I've had.

Look at Sam Mendes trying to be all artsy! I find new reasons to like this film every time I watch it.

Very Spinal Tap, but it's real and you actually start to care for the well-being of the band.

Not nearly as good as the first one, but it was still entertaining and had some good action sequences. I definitely like Don Cheadle a lot more as Rhodes than Terrence Howard, but Sam Rockwell was a bit too annoying for my taste.

Fantastic stuff. I love the mixture of sci-fi and poignant character study, and Sam Rockwell is great in it.

A great adaptation, but why aren't there any Tralfamadorians hopping around?

An interesting Hitchcock film. It's main problem is that it doesn't seem to know what to do with its surrealism. I guess Hitchcock's thoughts on the film sum it up best: "Well, it's just another manhunt story wrapped in pseudo-psychology."

A fantastic documentary about the Grunge movement (oops, they don't like it to be called a movement, so apologies all around).

I honestly didn't know what to think of this film. Throughout the entire movie I was trying to decipher what the point of it all was, but I obviously failed. It also claims to be historically accurate, despite the fact that Clooney's character is apparently an amalgam of two real people. Having said that, it had a funny screenplay and the actors were great at comedic timing, so all in all it entertained me.

In my opinion, much like The Hurt Locker, this film goes beyond any war film that I've seen recently. There's something very personal and human about this film, most likely stemming from the highly vulnerable way that they present their characters, which I respect greatly and which transcends it beyond the title of a "war film." One of the best of '09.

Capra at his best. The chemistry between Clark Gable and Claudette Colbert is almost unparalleled, the writing is phenominal, and Capra's direction is fantastic as usual.

One of the best by Handmade Films. Not a perfect movie, but its oddly funny and Richard E. Grant is great in it.

Actually better than I thought it was going to be. The action was really good, the special effects were great, and I liked the whole mindf**k aspect of it. Having said that, I also thought that the script drudged on and didn't feel concise and well-put-together. It entertained me, though.

Best adaptation of the play by far.

A generally good movie. I think that it suffers from an overly dense script and the fact that Soderbergh can be really full of himself sometimes, but if you pay attention its funny and interesting. P.S.: Cinematography FTW.